Should I make the switch to iPod? Are you an iPod user on Windows?
Earlier (technically last night) I signed up to Audioscrobbler to submit my musical listening habits (at least from my machine at home) to the system. So, now you all get to see my appalling music tastes and have a good old laugh – although I recommend you sign up as it’s fascinating.
IMHO, the biggest problem Microsoft have with WMP is the lack of a Microsoft audio player and that’s Apple’s big advantage. I’ve had four or five players and none of them integrates well: playlists, ratings and recently played are not transferred. The iPod has all of this spot on: musical tastes need to be able to move between devices. In addition, WMA-compatible music stores have moved the goal posts so some of my previously purchased music is now not able to be played on my player.
I’ve used WMP for a while and encoded most of my music in their WMA format – it wouldn’t be impossible to switch but it would be a pain but I swear that it’s very, very tempting. It’s not just the iTunes software and it’s not just the iPod – it’s the combination they’ve got right.
Then Nick points out that the WMA conversion is all handled in iTunes and the whole thing becomes even more tempting. So, if you are a Windows user with iTunes and an iPod is it as good as it’s cracked up to be?
UPDATE: After posting this I realised the ‘On This Day‘ link is to a previous time I wrote about Digital Music players. I still have the Rio Riot and use it occasionally. It’s still a decent music player but suffers because they don’t update the software anymore and it wo’t play all my rights-managed WMA files. an iPod user from two years agao would have no such trouble would they?
So yesterday’s on this day link took me off on a memorable journey to the Forgotten Project of the ultimate boyband CD – which, as a side diversion, for the stress of my working life at the moment I have decided to invest some time in.
For those of you late to the party here was the aim two years ago: construct a CDs worth of music from boybands of any decade that will go attempt to show that there is some logevity in the product. If you will, it’s an attempt to show that it is possible to have classic tunes that come from the manufactured world of boyband pop. This is what we had last time:
N’Sync – Pop
Take That – Relight My Fire
Take That – Could It Be Magic
F5ive – If Ya Gettin’ Down
Backstreet Boys – Everybody (Backstreet’s Back)
A1 – Same Old Brand New You
A1 – Caught In The Middle
Blue – All Rise
And you are – most definitely – not allowed to call me shallow!
That statement does not make me a huge Madonna fan – although I am partial to many of her hits and, unlike some of my friends, I think American Life is a great album (then again I also like some of Blue’s material so who am I to judge musical tastes?) and she is most certainly a performer.
So, when commenting on a Madonna concert what should you say? Earls Court is a huge venue. For those of you who haven’t been you should be aware that it’s very stadium-like. We sat in the back left corner so it was like she was at the opposite goal post. And it’s in that context that you will understand why I didn’t think it was that good.
Madonna can put on a show. She is the undisputed queen of showmanship. And therein lies the problem. She performs a West End show of the variety that you need to be able to see. And she performs them at West End prices but to stadium-sized audiences. The audio is show-like and you doubt that she’s singing live the whole time – although I suspect a lot of it is live. It’s just very well produced and sounds like her CDs and, for me, that isn’t the point of going to see live music: somehow you need to believe that they are performing live. Add to that the fact that you can’t see the spectacular and you have a fun but, ultimately, a disappointing evening.
Also about a year ago, I wrote about my first experiences with downloading music from the MSN Music Club. Well, I can tell you that a year on I have bought, perhaps, ten tracks – mainly the odd chart hit jumps out at me. I’ve tried several services and find them all a little frustrating in one way or another.
Many download services don’t let you have the latest singles from an artist until they are falling down the regular charts. I assume to this is to ensure that those fans who want the track will actually buy it and contribute to a chart position before the downloads (which don’t contribute to a proper chart position). So, although I do think this chart is a superb step forward, digital music will only be legitimised when it’s included with the full chart.
Maybe in twelve months I’ll be writing about that.
Humidity is rising – Barometer’s getting low, According to all sources, the street’s the place to go.
I have been recovering from my trip to the USA by spending a great deal of today asleep and generally caching up on the mail, the christmas cards, the washing and all the other things you need to do when you’ve been away for a week. It’s almost Saturday night and I am going supermarket shopping (you see, dear reader, I have a very exciting life).
While I managed to listen to the radio and some CDs I did, eventually, resort to music television so that there were some pictures to provide an alternative visual while I drank my tea (real tea, not a USA-style tea, is one of the greater comforters in my life).
The Hits is showing some so-called classics this afternoon. The video for It’s Raining Men (The Weather Girls) looked so dated that it made me wonder what those brought-up entirely on the sophistication of the modern day music video would make of these dated images.
Interestingly, it occurred to me to that it’s the video that looks a lot older than the music sounds. Allowing for the fact that It’s Raining Men is part of the soundtrack to my youth, I still think it’s the video technology that has made the noticeable leaps in the last 20 years.
And it’s 20 years next March since It’s Raining Men was a hit for The Weather Girls. Originally charting in the UK in August 1983 it eventually made number 2 in March 1984. It’s one of those songs that I would have sworn topped the charts but, apparently, not. I would imagine that a combination of Nena’s ‘99 Red Ballons‘, Lionel Richie’s ‘Hello‘ and Duran Duran’s ‘The Reflex‘ kept it from the number 1 slot.
It’s twenty years since Culture Club’s Karma Chameleon was the UK’s number one selling single (full list). I really remember the video set in Mississippi (but I don’t imagine it was actually filmed there). I suspect it would be very dated now … all together now, “Every day is like survival, You’re my lover, not my rival …”