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What to say about Kinsey? It’s a fascinating and absorbing biopic insight into the man who many feel started the sexual revolution of the modern age. Liam Neeson’s superb, intense depiction of the biologist who studied human sexual behaviour the way he’d studied gall wasps, that’s to say he collected thousands of samples, is brilliant. Laura Linney is brilliant as his wife, and it’s the pair’s wedding-night bedroom difficulties that start the research that was to change the way the world thought about sex. Neeson is supported by a great cast including Timothy Hutton, Chris O’Donnell, and Peter Sarsgaard as the researchers who bring extra sexual ambiguity to the piece. It is, of course, very much a piece of its time. In an age where we now see every variety of sexual shenanigans paraded on our televisions, in magazines and across the web it’s harder to appreciate what impact the work had on the world.

The depiction of Kinsey’s motivations may be challenged and history condensed, but it is a great work, and some are saying it’s Neeson’s best work to date. Nonetheless, whereas biopics can be fawning and dull Kinsey is watchable and entertaining.

• The Guardian: Condon takes a sympathetic line, though, in his absorbing cine-biography which promotes the view that however muddled he was, Kinsey was brave to try using scientific methods to explain sex in an age of unreason.
• The Observer: What is most remarkable perhaps is the film’s mature view of sexual matters, balancing the serious side with its frequently tragic consequences, and the often comical, even absurd aspects.
• Empire Online: A deftly directed, superbly acted and occasionally witty biopic which is not afraid to engage with the complexities of its central character.

I had heard and read almost nothing about Garden State until I saw it tonight. It’s written and stars Zach Braff who is, apparently, a big hit in Scrubs (but I don’t watch it) and was in one of my favorite movies, The Broken Hearts Club (but I’d forgotten him).

The background to the plot is that Andrew Largeman (Braff) is a twenty-something actor from New Jersey who now lives in Los Angeles (which supposedly mirrors Braff’s own life). Largeman returns home for his mother’s funeral after not having been back for a decade. He has almost no relationship with his father, a bunch of slacker friends and a lot of history.

So. it’s another middle class slacker movie but it’s quite well done. It’s got elements of humour (both in dialogue and the visuals) and is well shot. Despite the slow pace of some of the film, I found myself remarkably engaged. Usually I that find films where nothing happens are hard work regardless of the abilities of the actors and directors. It simply wasn’t the case here: the opening scences of Largeman motionless in an all white bedroom listening to his father’s messgae grabbed me and I was hooked.

There are two aspects of this film that I think stand out. The first is the soundtrack. I feel a good soundtrack is usually unobtrusive and you tend not to notice it. This is one film where you have an exception to that rule. I noticed how great the soundtrack was but it didn’t take anything away from the experiennce. The imdb entry for ths film notes, “When Braff sent the script to people, he would also send them a copy of the songs which would eventually be the soundtrack (which he handpicked). That is why on the actual soundtrack album, all of the songs are in the order that they appear in the movie” [source].

The other aspect I really liked about this film is the way the depths of the Largeman character are only revealled gradually as we go through the film. Obviosuly, it’s a very common trick of any story but – sometimes – movies reveal too much too soon in a bid to hook the audience. In Garden State, that’s not the case and it works beautifully.

Certainly not the best film ever but it was a promising work for Braff and I’ll be looking our for more, particularly, if he continues blogging about his work.

One of the films I had been really interested in seeing this Christmas was Robert Zemeckis’ Polar Express, which has been selling out in all it’s 3D glory at the BFI London IMAX. So, tonight, we got tickets for the last screening (although I imagine this will be back quite a lot). It’s a shame that we didn’t make it before Christmas when London was lit up with Christmas sparkle as that would have added to the magic.

Some reviewers of the film have criticised this film for being dark or scary but I didn’t see it. It’s basically the story of the boy who is doubting Santa Claus and is taken on a magical ride to the North Pole to find Christmas. And it’s filled with that wonder and magic that can only be found in really good Children’s films. Sure, the movie makers have used the 3D format to full-effect (the roller-coaster scenes are overdone in many IMAX presentations) but it shouldn’t detract from the wonder of this tale. Tom Hanks is great as the primary voice of the film which just added to the joy.

While the animation may not quite be on a par with The Incredibles it remains pretty stunning and, unlike The Incredibles, I see this film enduring. It’s a fantastic film.