review – Page 4 – Hello Curns

Die Another Day

Bond has been around for 40 years. Is he sill up to it?

I saw the new James Bond film today. Apparently, Bond is 40 – which means the formula has been around for a while. Die Another Day is as cheesy as many a Bond, yet it remains an entertaining cinema experience. I’m sure, however, that it won’t be voted a classic. It’s less secret-agent more agent-detective and the Bond-girls are now more MI5-partners (or more accurately NSA-partners). There are some fantastic scenes on the ice (using The Eden Project as a backdrop) and gadgets galore. If I had any complaints about the film it would be the quality of some of the effects which is, to say the least, not up to standard. [Official Site]

Donnie Darko

The Guardian said, Is it a horror film? A black comic parable of Generation X angst? A teen drama with a psycho edge? If not, what the hell is it?

Possibly the strangest and most compelling film I have seen all year and it’s not had a great deal of coverage. Donnie Darko’s website is very wierd and I am not sure you’ll get much from that. Tom, on the other hand, raves about it. You can read more reviews here or at The Guardian. I can’t explain it. Go see it.

Inspirational Eden

Tim Smit provides an insight into the group vision that resulted in one of the more successful Millennium projects – Eden. And the fact that it is the work of a committed group of people is not lost on the reader. Smit regularly repeats the mantra that Eden was only developed thanks to the work of a wide range of individuals from contractors to councils, and not forgetting the plant-men.

If you want to understand some details behind the way such projects are developed then this is a book you should read. When the project was floundering while all the funding partners came together then Tim Smit was there and he relives it through the book. Sometimes you wonder how it call came together.

On the other hand, if you are a plant-lover, gardener or horticulturalist then this is also a book you should read. Smit tells the fascinating story of the development of the biome concepts and the plants they chose to grow. More importantly he discusses the relationship between man and the natural surroundings we inhabit; debating our fragile relationship with a range of environments along the way.

However, what you take from this book is a mixture of all of the above. Landscaping, plant husbandry and environmental considerations sit alongside planning, funding, road building and visitor education projects. It’s one man’s personal account rather than a definitive history and the cast of characters seems endless and, sometimes, confusing. However, the determination and vision that drove the project; the commitment and enthusiasm of all the people and the role Eden believes it should be playing on the world stage are all presented in an accessible, very readable account of, what seems to have been, a long but successful process. If this book doesn’t inspire you to aim higher and better, then nothing will.Buy Eden at Amazon.co.uk

Elsewhere: Everything Taboo

I thought Taboo was fantastic and I wasn’t sure what to really expect. I think I had envisaged it as something akin to Closer To Heaven, but it wasn’t really like that at all. I loved the fact that The Venue is quite small and quite intimate which made you feel closer to the stage (and the audience bits help) and, of course, it brought memories flooding back (although I was watching events in the early-80s from the safety of the north).

I went to see Boy George’s Taboo last Friday and have been contemplating the blog entry ever since. I have to say that I thought that it was fabulous and I want to see it again (I even ordered the soundtrack last night!). It’s a fictional account of a lot of real people but most of the plot must be based on Boy George’s own life story as I recognised may of the characters and plot lines from his book Take It Like A Man. Obviously, he is a key (though not the central) character. I would thoroughly recommend to this anybody visiting London regardless of the way you feel about Boy George. It’s a strange time capsule of a musical and his songs are great – although several of them are old (some of which are taken from the under-rated album Cheapness and Beauty which I regard as one of the best of all time). The story is tender, the performances top-rate and the whole thing is laugh-out-loud funny (especially, Julian Clary). Lastmiunte.com often has cut-price tickets a few days before a show. Go see it. Often.

I also posted a review to the musical fan group at Yahoo! This is what I wrote:

I thought Taboo was fantastic – and I wasn’t sure what to really expect. I think I had envisaged it as something akin to Closer To Heaven, but it wasn’t really like that at all. I loved the fact that The Venue is quite small and quite intimate which made you feel closer to the stage (and the audience bits help) and, of course, it brought memories flooding back (although I was watching events in the early-80s from the safety of the north).
I am a big fan of Boy George’s more recent albums – Cheapness and Beauty is one of my all time favourites. When I heard some of the songs were being reworked for the show I was worried. Luckily, few have been re-penned and those that have been re-done are still as good as they are on the CD (although different). I was stunned by how much the mannerisms of the Boy George character seem to be like the Boy George we see on TV etc. It was a remarkable performance. Duncan Bennett as Billy was superb (was he really in the band Point Break? I don’t remember him) as well as being some appealing eye candy 😉 It was a thoroughly entertaining night out and I would recommend it to anybody.
Julian Clary was superb and, of course, looked stunning in those Leigh costumes. I would be interested to see how other people play the part as he put his own stamp on it without it seeming to be too Julian Clary.
I’ve ordered the CD – the cheapest I could find it was Â£10.99 at play.com – although it was on back order I notice tonight that they have posted it to me. I’m sure the CD doesn’t do the show justice (they rarely do) but I hope it will be brilliant anyway! Lastminute.com always seems to have discounts on top price tickets. I bought the cheaper seats direct from the box office and, to be honest, I think my view was as good as anybody with the more expensive ones (the theatre isn’t really large enough for it to make a difference). However, Lastminute’s discount seats are even cheaper and I shall certainly be going again.

[Links: BBC News – George breaks 80s Taboo | BBC News – Matt Lucas’s comic extremes | Guardian – We were so naughty | I Love the 80s]

The Full Monty

I saw The Full Monty at The Prince of Wales Theatre, London, last night. I have to admit that it was a lot better than I expected it to be. The central story that you’d recognise from the film is there but it has been adapted for the stage and re-set in Buffalo, New York.

In particular, the introduction of some new characters (the excellent Lynda Baron as Jeanette and the lovely Julian Essex-Spurrier as Keno, a professional male stripper) helps the story along well. The songs were strong and I shall be looking forward to getting the CD. In my opinion, Ben Richards (Jerry) was excellent as the show’s main character – which is useful, as he does seem to have a majority of the show to carry. The rest of the cast were great: Paul Keating made Ethan into a amusing character, adding a slap-stick dimension to the humour and David Ganly carried Dave’s insecurities and vulnerabilities well.

Without taking anything away from the show I would have liked to see it set back in the UK and the main narrative driver (Jerry’s need for money to keep seeing his son) was somewhat unbelievable (even for a West-End Musical). However, if you fancy an evening in a theatre that is 70% groups of women (although it didn’t seem overly hen-nighty) then I would thoroughly recommend it.

Matt Damon is Jason Bourne

The Bourne Identity delivers an action-packed thrill, featuring a surprising turn from Matt Damon.

I saw a pumped-up Matt Damon on The Bourne Identity last weekend. Sadly, I am a sucker for this kind of action movie. They have little point but tell a tale that absorbs you for 90 minutes and gives you an all-action thrill for some of that time. What more do you want from a cinema-going experience?

My Review: Who would that thought Matt Damon could, convincingly, play the international agent? Yet a beefed-up Matt holds his own in the world of blockbuster espionage – that’s a world of martial art acrobatics and high-speed car chases down back alleyways (and flights of stairs). Franka Potente manages to keep the role of Marie convincing when many would have just walked away from Jason Bourne (Damon) at their first meeting. It’s a Friday night, action-packed, spy-game blockbuster (with a twist of amnesia) and, unfortunately, nothing more.

Scooby Thoughts

Despite differing opinions, “Scooby Doo” is successful in entertaining

Scooby Doo Movie Poster, 2002 — Scooby Doo Movie, 2002

Looking back, I do have to say Scooby Doo was a great film. If one of the goals of cinema is to entertain then this was a successful film. If another of the goals of cinema is to provide escapism then, again, this was a successful film. I believe I am the only person I know who thinks this. That, of course, makes me right and everybody else wrong (kind of).