film – Page 3 – Hello Curns

Film: 8 Mile

I have no idea if this in any way reflects real life in downtown Detroit. I have no clue if rap culture is, in any way, well served by his film but it is a great movie which I thoroughly recommend.

I walked out of the Odeon loving Eminem’s 8 Mile. On reflection, I still think this is a great movie. Who cares if it’s Saturday Night Fever or Karate Kid for a new generation? Does Eminem’s apparent turn around about all things gay worry me? Not at all. This is an excellent film. I do, however, have one question, where are all the guns?

I have never visited Detroit nor any of its downtown neighbourhoods. Fortunately, I’ve never been in the middle of any kind of big gang culture. But in this movie, there were two guns (three if you count the paint-ball). One is pulled on Jimmy (Eminem) and one is waved around by Cheddar Bob, who promptly shoots himself while those involved in the gang fight around him look on like they’d never seen a gun. If I were to believe the news media, this place would have been crawling with weapons and Jimmy would have probably pulled several on his attackers. A movie for nice liberal sensibilities? It just struck me as odd. Perhaps it’s real, but it seemed wrong.

That is, however, but a small gripe. Like yesterday’s film, The Good Girl, we have a central character with an apparently dead-end life but dreams of something better. This time, the lead is surrounded by people who believe in him although he doesn’t believe in himself. The final battle, where Jimmy – or Rabbit – proves himself to be great, is a freestyle rap event that is so far removed from anything in my life or frame of reference that I have no idea if it’s believable, amusing or insulting. Having said that, it is a great conclusion to the movie and had me hooked.

Surprisingly, Eminem’s music doesn’t dominate the movie. I was slightly disappointed there wasn’t more. We first hear his musical talents when he sings a lullaby to his sister. A repositioning of man whose music has been the centre of controversy for years? So, if we don’t get to hear much of his music, how does he stand up as an actor? Pretty well, I would have said. His baseball-cap (and hood) mask much of him revealing only a cool, moody, brooding man writing rap lyrics on scraps of paper to music pumped into his head through headphones. As the movies is apparently based on some of his own life, I suspect this wasn’t a great leap for him to play. He does pull it off with conviction and you can take the journey into Jimmy’s world and lose sight of Eminem. I’d be interested to see if he acts again and with the huge box office takings predicted, most will bet he will.

I have no idea if this in any way reflects real life in downtown Detroit. I have no clue if rap culture is, in any way, well served by this film but it is a great movie which I thoroughly recommend even if you are asked to believe that, when life hits rock bottom, you’ll win on the bingo.

Film: The Good Girl

Good. But not good enough. While Aniston is good, she is not great. It seems much of the praise is due to the fact that she is playing against the Friends Rachel-type. She an actress for goodness sake, if she only has that one role she has no career. This role proves she can play against type and, I guess, that means she is an actress.

What has surprised me about Miguel Arteta’s The Good Girl, starring Jennifer Aniston, are the generally positive (if not glowing glowing) reviews for this film.

Admittedly this is not quite the Jennifer Aniston vehicle that you would expect from Hollywood right now. It’s no romantic comedy, rather a drama following Justine (Aniston), a woman in a dead-end job in a dead end town, who falls for Jake ‘Donnie Darko’ Gyllenhaal’s Holden Worther. Not much to it so far and certainly not enough reason for the praise.

So, to the plot. Problem one for our lead, Justine is married to a full time stoner (part time painter) played with conviction by John C. Reilly. Problem two, Holden seems to think he is Holden Caulfield, the central character in Catcher in The Rye. If I was to say he was “unhinged” I’d be playing it down. So, cue a crisis of conscience for her and a serious infatuation/breakdown for him.

While Aniston is good, she is not great. It seems much of the praise is due to the fact that she is playing against the Friends Rachel-type. She an actress for goodness sake, if she only has that one role she has no career. This role proves she can play against type and, I guess, that means she is an actress. Her narration is okay but somewhat draining to listen to. Gyllenhaal’s good but, given the characters are odd-balls not a million miles apart, he is not as engaging as he was in Donnie Darko.

I guess it hangs on the believability of the adulterous relationship and, for me, it was not that credible. Perhaps it hangs on the ability for Aniston and Reilly to be a couple at the end, but it’s not convincing. There were words unspoken which should have been spoken. Where are the sparks? Where was the fire and the passion between any of the characters?

Sadly, it lacked the ability to engage me for the one and three-quarter hours. Which meant I started to feel the cinema seat beneath me. At that point, I knew this wasn’t going to be added to my “greatest films” list. Which is a shame. Good. But not good enough.

Bowling for Columbine

A film investigating America’s gun culture, contrasting it with Canada’s similar laws but lower death rates.

What a fantastic film! Michael Moore’s Bowling for Columbine is as good a piece of filmmaking as any I have seen for several years. It is also a documentary, which means, I guess, that few people will see it. Well, you should.

It’s an investigative piece that looks at the United States of America’s love of guns – in all their forms. While it appears many Americans think it’s a constitutional right to protect their family with a shoot first mentally, Moore contends that this obsession with the freedom to bear arms results in unnecessary deaths (accidental and intentional). Contrasted with Canada, similar gun laws and ownership, but considerably fewer deaths, it seems Moore may have a point.

The statistics played out on the screen are not always given a context, and some of his points are rather laboured, but Bowling For Columbine has some moments you’d think were fiction (the final K-Mart statement – I won’t spoil it), yet are horribly real.

And yes, the clip that’s been doing the rounds of the film shows Moore getting a free gun when opening a bank account, which appears very real. Funny, it really does appear that these things really do “only happen in America”.

The Lord of The Rings

There are, perhaps predictably, few surprises in this second film. However, it remains a stunning piece of cinema and one that I will certainly see again and again.

Being New Year’s Eve I decided to hide away from some excessive partying and see Lord of the Rings: The Two Towers in central London.

The second cinematic instalment starts more-or-less at the point we left of with Frodo dreaming of Gandalf’s fall. I began by thinking we were in for a decent length of re-worked footage from the first film but, of course, I was wrong.

If you haven’t seen the first film and haven’t read the books you will need to do one of them before seeing this film for no concession is made to explain the previous tale. Thus, we must accept that the Fellowship is now split into three and we have three stories.

Frodo and Sam’s tale gets darker as the film progresses as Frodo comes under the influence of the ring. They are joined by Gollum which is a superb character despite being a computer-generated image.

The second group of Aragorn, Gimli and Legolas go in search of Merry and Pippin only to find themselves rushing to the aid of King Theoden of Rohan and featuring some amazing battles sequences. Merry and Pippin themselves find the company of the Ents whose role seems to have been played down in the film. The Ents are my favourite characters from the books and I had been waiting to see if they could be brought to life convincingly on the screen. Peter Jackson has done an amazing job on them and I was only saddened that they didn’t appear more.

There are, perhaps predictably, few surprises in this second film. There is little to discover in the central characters and, with perhaps the exception of Gollum, very little seems to be learnt about newer characters. However, it remains a stunning piece of cinema and one that I will certainly see again and again.

The Guardian has a summary of the main players. Other reviews can be found at Empire Online and Teletext.

Die Another Day

Bond has been around for 40 years. Is he sill up to it?

I saw the new James Bond film today. Apparently, Bond is 40 – which means the formula has been around for a while. Die Another Day is as cheesy as many a Bond, yet it remains an entertaining cinema experience. I’m sure, however, that it won’t be voted a classic. It’s less secret-agent more agent-detective and the Bond-girls are now more MI5-partners (or more accurately NSA-partners). There are some fantastic scenes on the ice (using The Eden Project as a backdrop) and gadgets galore. If I had any complaints about the film it would be the quality of some of the effects which is, to say the least, not up to standard. [Official Site]

Donnie Darko

The Guardian said, Is it a horror film? A black comic parable of Generation X angst? A teen drama with a psycho edge? If not, what the hell is it?

Possibly the strangest and most compelling film I have seen all year and it’s not had a great deal of coverage. Donnie Darko’s website is very wierd and I am not sure you’ll get much from that. Tom, on the other hand, raves about it. You can read more reviews here or at The Guardian. I can’t explain it. Go see it.

My Big Fat Greek Wedding

My Big Fat Greek Wedding was something of a hit and miss film. You learned much about the Greek (lead) character, Toula, and her inter-family relationships. But you learned very little about her love interest, Ian. If the point of the film was to show the development of Toula from the shy woman living life for her father by waiting tables (“seating hostess”) in his restaurant to the confident, beautiful self-styled woman that Ian Miller falls in love with, then, I guess, it succeeded. Sadly, because you know so little about him and his one-dimensional parents, this film feels empty and fails to pull you in.

Reviews will tell how My Big Fat Greek Wedding makes you laugh, cry and feel. I, however, was left wanting more. The large Greek family, played with love and humour, finally come to accept non-Greek Ian into the family. Ian, however, never challenges that their acceptance requires him to turn into them. Far from celebrating diversity, the film fails to show both sides of the tale and we are forced to believe that Ian will do anything, unquestioningly for Toula. I suspect that I am trying to read too much into, what should be, a light Saturday night romantic comedy but as the film played out its story I found myself less and less engaged.

Having said all this, there were some laugh-out-loud moments and some top-class performances. Andrea Martin (Aunt Voula), Michael Constantine (Gus) and Lainie Kazan (Maria) all stood out. The performance of Nia Vardalos (Toula), who also wrote the story, is also worth mentioning as she certainly conveyed Toula’s side of the story. Unfortunately, that’s all I felt I got (Toula’s side) and it could have been so much more.

Matt Damon is Jason Bourne

The Bourne Identity delivers an action-packed thrill, featuring a surprising turn from Matt Damon.

I saw a pumped-up Matt Damon on The Bourne Identity last weekend. Sadly, I am a sucker for this kind of action movie. They have little point but tell a tale that absorbs you for 90 minutes and gives you an all-action thrill for some of that time. What more do you want from a cinema-going experience?

My Review: Who would that thought Matt Damon could, convincingly, play the international agent? Yet a beefed-up Matt holds his own in the world of blockbuster espionage – that’s a world of martial art acrobatics and high-speed car chases down back alleyways (and flights of stairs). Franka Potente manages to keep the role of Marie convincing when many would have just walked away from Jason Bourne (Damon) at their first meeting. It’s a Friday night, action-packed, spy-game blockbuster (with a twist of amnesia) and, unfortunately, nothing more.

Half-Hearted Bollywood

You know when you don’t go to the cinema for, what seems like, an age and then you suddenly go quite a lot? No, well, I do this on-off thing with cinema quite a lot. Yesterday, following on from my Men In Black II experience, I went to see The Guru at The Clapham Picture House (which, if you live in this part of the world, probably ranks as one of the better cinemas and it’s not part of an overly large chain – although there are more of them then you would imagine).

The people I was with, loved it. They laughed (a lot). Many people in the cinema was laughing too. I smiled occasionally and there was the odd laugh but on the whole I was pretty quiet. So, to validate my lack of enthusiasm for the film (which seems to be generally well received) I got as far as The Guardian’s film site (which, I am sure was Film Unlimited at one point). Peter Bradshaw reassures me with,

There’s no bite or edge to this movie, though; it’s goofy, soft-centred romcom slush, with some very half-hearted Bollywood pastiche

and

… these moments don’t really justify the admission price [Full Review].

Now, I am using the web to reinforce my own opinions. This can’t be a good thing.

Not Hilarious or Surprising

Strange, zany, generally amusing and very likeable without actually being all that hilarious or surprising, Men In Black II relies heavily on familiarity with and affection for the original. Fans of that film, who are simply content with more of the same, shouldn’t be dismayed or too seriously disappointed by a pleasantly insane bit of nonsense. [Empire Online]

This review tells almost all about my night last night. I went to UCI Sutton to see Men In Black II. I had enjoyed the first in a wash-over-me kind of way. Interest wanes at twenty minutes.

Scooby Thoughts

Despite differing opinions, “Scooby Doo” is successful in entertaining

Scooby Doo Movie Poster, 2002 — Scooby Doo Movie, 2002

Looking back, I do have to say Scooby Doo was a great film. If one of the goals of cinema is to entertain then this was a successful film. If another of the goals of cinema is to provide escapism then, again, this was a successful film. I believe I am the only person I know who thinks this. That, of course, makes me right and everybody else wrong (kind of).