December 31, 2025 – Hello Curns

Top Nine 2025

Nine photographs become a portrait of 2025: travel, music, small rituals and the moments that shaped the year.

A collage of nine photographs showing travel and entertainment highlights, including illuminated caves, coastal scenery, waterfall visits, concerts, ferry travel, and social gatherings with friends — Travelled far, got wet, attended gigs.

As I have done in previous years, I will (eventually) get around to writing my Yearnotes. I enjoy looking back on the summary, although I am never quite sure how much I actually learn about myself from the exercise. Still, as the year draws to a close and at least some Instagrammers are clinging on to the tradition of posting their ‘top nine’ pictures, it felt like a good moment to do the same. I have an app that does the work, and all I do is press the button, so I thought I’d start here, ahead of anything else I might write about 2025.

I rarely post to the Instagram grid these days. This year, I managed seventeen pictures in total, fewer than last year and continuing the gentle downward disconnection from the service. I still like the idea of Instagram as a kind of personal memory bank. However, I am increasingly sceptical about trusting any social media platform to preserve your history for you, which is another reason to do it here.

Even so, here they are: the top nine, ranked by likes and interactions. It is not a particularly competitive field with only seventeen entries, but it feels representative enough of the year.

The first image is technically the first frame of a carousel taken in March on PY’s birthday, when we spent the day collecting experiences around London. We began at the World of Tim Burton exhibition at the Design Museum, and the picture shows one of the models on display: Carousel. Created by Albert Cuellar for a MoMA exhibition in 2009, it brings together creatures and elements from Burton’s work, with the eerie undertones of carnival life running through it.

Second comes a moment from our day trip to San Sebastián: Eduardo Chillida’s El Peine del Viento, where sculpture meets sea and sky at the end of the promenade. Standing there, with the wind and the Atlantic crashing in around it, somebody said it was a punctuation mark on the edge of the city. I have no idea if that was an original thought or from a review, but I can still remember the phrase.

The third picture takes me back to August at Rydell High, courtesy of the immersive production of Grease. The set and cast were outstanding, and the evening remains one of my favourite Secret Cinema experiences so far.

Further down the grid sits a reminder of a long-held ambition finally realised: a visit to South America. It had been on my list for years, one of those destinations that never quite got booked. Towards the end of the trip, we crossed the border to see the Iguazú Falls from both Brazil and Argentina, watching the landscape change as the bus passed through passport control. The scale of the place is difficult to describe — noise, spray, rainforest, rainbows, all layered on top of each other — and the boat ride beneath the torrents, soaked to the skin and grinning like idiots, is something I doubt I will ever forget.

At the centre of the grid is a snapshot from our Eurovision party, which is the kind of night that is simultaneously frivolous and an essential feature of the year. Austria’s win gave the evening an extra lift, and by the end of the night, we were half-seriously discussing whether Austria might become the basis of a trip in 2026. To its right is a very different piece of history: the preserved trunk of the former Tree of Gernika. Once the site where Basque leaders swore to uphold local laws, it now stands in a neoclassical pavilion as a quiet monument to centuries of tradition and continuity.

The bottom row brings things closer to home again, beginning with my enduring fondness for the Isle of Wight and the familiar ritual of crossing water to set foot on the island where the annual Isle of Wight Festival is now firmly embedded in my year’s rhythm. Another year, another festival felt exactly as it should: sunshine and weaving through crowds toward Seaclose Park for an eclectic mix of music played out before picnicking families. Day One was a collage of summer festival moments — wandering between stages, sock wrestling on an alternative stage and paella by the river, before collapsing back in the flat with tea and the closing set on the telly. Day Two brought packed crowds for acts from Busted to Paul Heaton and the tight harmonies of The Queenbees. On Day Three, Björn Again’s energetic set got the day going before the surprise of Ella Eyre’s early exit, followed by Midge Ure’s powerful performance and a gentle drift back to Ryde with fish and chips, watching Jess Glynne on screen rather than braving the final headliners.

Together, the nine images sketch one curated image of 2025. The fuller picture will emerge, no doubt, in the Yearnotes over the weeks to come.

Weeknotes #49: Ho Ho Ho

Week commencing Monday, 25 December 2023

London's Christmas Lights: Regent Street - a winged angel above the traffic

Quantified Self

This week: Stand 7/7; Exercise 2/7 and Move 3/7. (57%, blame festivities). Plant diversity: 21. Total steps: 45,792

Life

Merry Christmas. I hope your festivities were fun. I got a negative COVID test on Christmas Day. Lovely present that meant Christmas visits happened on Boxing Day.
Will Doctor Who’s The Goblin Song become a thing? I fear it might.
Took Mum & Dad to see the London Christmas Lights. Like us, lots of people thought the 139 a better option than the expensive open-top tour. Carnaby Street was rammed.
Tonight we are having people for a New Year party. I’m hoping that it’s not too late to bed. Happy New Year!

Media

Finished reading Death and Papa Noël: a short story from the Follet Valley Mystery series. It was a fun little read but it wasn’t a complex story. A nice way to compete by Goodreads Reading Challenge 2023.
The Vera Christmas Special 2023 didn’t have a story line about it being Kenny Doughty’s last show which I found surprising.
While watching BBC1’s Murder Is Easy, I became obsessed with how Fitzwilliam managed to carry all those amazing outfits in such a small suitcase. The immaculately pressed Tuxedo being just one of them.

Elsewhere: A Sticky End

Maintaining the tradition of ensuring a copy of things I post elsewhere are also saved here, earlier today I posted on Facebook about the branding of a company I used to work for:

If the sponsored posts on Facebook are accurate, sometime in the next 24 hours the brand name of a company I used to work for, StickyADS.tv, will disappear as it becomes more fully part of its new parent, Freewheel. Or something like that. They don’t tell me the details.

I spent 18 months working for them as the business grew from one that was primarily focussed on France to one that expanded to Europe and, as I was leaving, an office opened in New York to address the needs of American customers. Earlier this year the company was acquired by Freewheel and, I guess, this is the next part of the coming together of the businesses.

As the StickyADS.tv brand is phased out, and having seen the sponsored post almost every time I open my Facebook app, one thing really struck me that I never truly appreciated during the period I was working there: how well the branding works and how expertly it is used. I don’t recall exactly when the current look & logo were introduced but it’s executed consistently well across all channels. From exhibition stands at major events, to laptop stickers, corporate videos or company presentations there is a consistency that you don’t see that often outside of the biggest companies.

Attaching the logo to the wall of the London office, while levelling the letters and managing the spacing, caused much hilarity for Greg and me in the summer of 2015.

Somewhere, I hope, there’s a cupboard that holds copies of the adtech brands that have disappeared over the years I have worked in this industry (“Engage: Like Never Before,” anyone?). If there is, I imagine the last StickyADS.tv branding will a shining beacon in the vast sea of logos that are no longer in use. I can’t even write the name of the company without automatically capitalising the ADS portion and including the dot-tv; I can’t recall how many times I was reminded about that.

No doubt, today, there’s a larger team of people behind it but Marie should be really happy with all the work she — and all the marketing team — have done to build and represent a brand.

Good luck, Stickers, with the next phase of your adventure.

FreeWheel Acquires StickyAds to Build Full-Stack Programmatic Video Markeplace

My 15 for 2015

It’s become something of a tradition for me to take a nostalgic look back at the year just gone based on some of the photographs I have taken. The earliest example that remains online is from 2004. You can read about some of the thoughts behind that on 2012 and 2013s summaries. Ten years later, 2014 was represented as a short video summary of Instagram photos which I’m not sure does that year justice. [Skip the words and jump to the pictures]

For 2015 I could have, once again, relied on the automatic curations from Facebook or the Best 9 on Instagram but, instead, I decided to go back and manually collect 15 photos which sum-up 2015 for me.

The first four of the pictures were taken on holiday in Vietnam, Cambodia and Hong Kong. The time spent on board a boat on Halong Bay (including an amazing Kayak experience) and the silent tea shop in Hội An were some of the most tranquil moment of the year; the Hindu/Buddhist temples in Cambodia were an awe inspiring sight that will stay with me for a long time.

Lord Hill’s Column, outside Shrewsbury’s Shirehall is, apparently, the tallest Doric column in England. When I lived in Shropshire the statue was, effectively, at the end of my street. On a visit earlier in the year it was a pleasant surprise to find it open for viewing as part of the bicentenary of the Battle of Waterloo (interesting to note that the last stone was laid on 18 June 1816, the first anniversary of the Battle of Waterloo). There are some fantatsic views of Shrewsbury from the top.

I had a business trip to New York in the first half of the year and got to view that city from on high too: the sunset from the top of The Empire State Building was pretty impressive.

Another highlight of the year was taking advantage of the hidden London tours and going in the opposite direction – underground – to the disused Jubilee Line station at Charing Cross. In November 1999 the Jubilee platforms at Charing Cross were closed to the public when the line’s extension to Waterloo was opened. However, the escalators and platforms still exist behind some blue hoardings; the lines maintained for operational reasons if not for commuting. The platforms are also used for film & television representations of the modern underground (Spooks and the Bond film Skyfall filmed there, for example). In June I went on a tour and it was really fascinating to see how the platforms looked and to peek behind the scenes of a working Tube station. Although I’ve not uploaded as many pictures to Flickr this year, there is a set of the pictures taken underground.

The summer also meant another pilgrimage to Silverstone for the British race of the 2015 Formula One season. Lewis winning both that race and the season. Jenson, featured in the picture, coming somewhat lower down the rankings.

In 2012 I didn’t volunteer as one of the Olympic Games Makers nor as one of Boris’ London Ambassadors. It’s something that looked like fun and subsequently I did volunteer at the Ride London event. However, 2015 was the first year that the Ambassadors scheme (branded Team London) finally sought new recruits. I signed up, went through the training, and had a really great time at Parliament Square. I’d swotted-up on a little of the history of the area but mainly got to point people in the direction of Churchill’s War Rooms. Thankfully, the bright blue Team London jacket came in helpful during the rain that seemed to accompany all of my shifts.

Later in the summer I donned overalls that might not be out of place behind the wheel of an F1 car to become part of Secret Cinema’s Empire Strikes Back experience (I think I was supposed to be some kind of rebel fighter). The imagination, thought and level of detail that went into the event was spectacular. There’s a great summary video on You Tube. I’m already booked for their 2016 show with no idea what the film will be.

Towards the end of the year the Rugby World Cup came to the UK. I saw New Zealand play twice: against Namibia at the Olympic Stadium (they won 58-14) and in a great final at Twickenham where they beat Australia 34-17. Fortunately, we were sat behind the goal where most of the points were scored. The Olympic Stadium also played host to The Race of Champions which, according to the event’s own site, “brings together some of the world’s best drivers for a unique head-to-head race in identical cars to see who really is the fastest of them all”. Sebastian Vettel was crowned champion.

I’m often asked what my favourite dining experience has been. I’ve written before about Duck and Waffle which was excellent but, for some reason, never about the Fat Duck. I thought I’d try and record the best of 2015: the very enjoyable Not Afternoon Tea at the Oxo Tower could have been the highlight had it not been for a visit to Restaurant Story. Here, on the site of a former public toilet, is an amazing restaurant where each course of the set menu comes with its own little story. An entire afternoon of food pleasure.

At the end of the year I visited Liverpool for an amazing Duran Duran concert and to sing karaoke at a family party. No videos of my performance will be allowed on the internet. Duran Duran was really an exceptional gig with just the right mix of classics and newer material. The office Christmas party also featured a live band; I was introduced to the music of Jungle which, in spite of the modern sounds, seemed to have 80s inspired synth roots and would site nicely next to Duran’s material.

My 2013 in Pictures

I’m about to ask you to step into your Tardis and pop back to 2004. A mobile phone with a camera was not exactly rare but also not very common either. It was at the very beginning of an era when cameras would always be with us. I discovered that the camera on the phone provided a unique perspective on the year. Almost every year since then, at the end of the year, I have curated some pictures that summed up the previous twelve months. Of course they are both very personal and also reflective of the year as a whole; if you materialise in 2012, for example, you’ll see images from the London 2012 Olympic games.

Equally fascinating is the technology that drives this yearly retrospective. In 2004 it was a Palm Treo (the first real attempt at a smartphone) that took the pictures that I manually filtered; the 36 of 2006 became a collection shared on Flickr while the technology had moved on and by 2009 the view was automatically created by dopiaza’s set generator, again on Flickr. In recent years, while I still create the automated selection (2013’s most interesting can still be seen on Flickr), I’ve stepped back to the personal curation. Sometimes, the machine is not always best.

The 2013 retrospective is, again, a uniquely personal memory of the last twelve months – a year when I spent more time than I could have imagined in airport lounges and on the other side of the world. Many of the moments in the collection are from Melbourne which was a fascinating place to explore.

This year the technology behind the images took another leap. 2013’s set was taken and compiled entirely on a smartphone using the Flipagram app. Fewer than ten years ago the phone images were poor quality pictures; now they are high quality images that can be manipulated quickly through the apps provided by the likes of Flickr and Instagram. No traditional camera and, really, no PC involved. Back in 2004 I think you’d have expected to set your Tardis 3004 to find that kind of technology.

This year I learned much about the community of YouTube which will, no doubt, the the subject of another blog post at some point. Flipagram allows the video it creates from the pictures to be uploaded as a video to YouTube. It marks another leap in the review of the images of the year.

So, here are my moments of 2013 – compressed into 15 seconds of video set to my favourite dance track of the year, Nabiha’s ‘Never Played The Bass‘.

And if you’re on a device that can’t see the video, try it over on YouTube.

My 2012 In Pictures

Back in 2004 cameras were not at all as commonplace on mobile phones as they are today. Back then, browsing through my phone’s images I realised I had a rather unexpected, somewhat candid, summary of the year in blurred low resolution photographs. I wrote about it, collated 100 of the pictures here and posted the pictures on Flickr. To me, the most interesting thing about that collection is that it’s made up of many of the small moments that I’d otherwise forget. Genuinely, my 2004 was reflected though the everyday. Of course, cameras on phones were of low quality and it’s likely that pictures of the most important events in my life that year were taken on a better camera. Happily, Flickr provides a way to see the year through all the photos I took but there remains something fascinating about the photos I chose to take on a mobile phone camera.

~~I recall creating a similar collection for 2005 but I can’t find it anywhere~~. I created a list of 50 images that summed up 2005 and curated another 100 mobile pictures on Flickr in 2006 (and a 36 for 06 collage), a reduced set in 2007 and, randomly, 176 in 2008 when the camera on my Nokia didn’t seem to be that much better than the 2004 Palm.

In 2009 I relied on a computer, dopiaza.org’s set manager and Flickr’s social features to automatically generate the most interesting 36 images for that year – mobile or not – and you can see them on Flickr. It’s a different way to look back on the year and – because it relies on other people’s selection – it’s inherently less personal. Looking back on them now, after 3 years has passed, you’d be forgiven for thinking the only thing to happen to me in 2009 was snow.

I don’t appear to have curated (or automated) collections for 2010 and 2011. I could set the machine to do it today but I think that moment has passed. I guess I was reviewing the year in other ways at that time.

Now, the cogs in the machine have been doing the same for 2012 and the 36 most interesting of this year’s pictures are collected on Flickr. Pictures surface to other users on Flickr for a wide variety of reasons and these collections change. The most popular of my 2012 photographs, as I post this on New Year’s Eve 2012, is a picture (not snapped on a mobile phone) taken at the end of June of the Olympic rings hoisted high on Tower Bridge. If you’re reading this at a later date that might not be the case.

Stumbling across that collection, as I did earlier, made me wonder what I would choose for 2012. This has been a memorable year and I wondered how my chosen pictures would differ form the machine’s collection. At first I considered using Instagram as a way to view the year yet, despite the recently-added ability to view the pictures on the web, there didn’t seem a way to collect a group for the year.

So, I went back to my phone and decided to quickly collate a set; for speed I opted for a simple rule: one photograph from each month that appeared in my phone’s Photo Stream from the year. So, I have “2012 Year In Review: The 12 of 2012“. As you would imagine, both sets feature the London 2012 Olympics often, and there are a couple of over-lapping pictures, but they are subtlety different. I imagine to an outside observer they may be remarkably similar but I can tell the different at a glance.

Both Twitter and Facebook have provided me with an alternative way to review my 2012 via my Year On Twitter and my 20 biggest moments according to Facebook but, somehow, the 12 photographs below work better (also on Flickr). Of course, the full London 2012 Olympics set on Flickr brings back a lot of memories but these 12 put the year into a little more context.

Report Card

At the start of the year I wrote a couple of predictions for 2010 in digital advertising. Did anything actually come true or should you be relying on fortune telling talents of somebody on the end of Blackpool pier in a wooden caravan for your 2011 bets?

At the start of the year I wrote a couple of predictions for 2010 in digital advertising (it was either that or try and pen a New Year’s hit record and my wordsmith-ing just isn’t up to that). I could, of course, forget about them, pretend I’d never dealt those cards and move on with this year’s predictions but ‘you know’ I’ve never been one to resist pointing out my personal failings. So, did anything actually come true or should you be relying on fortune telling talents of somebody on the end of Blackpool pier in a wooden caravan for your 2011 bets?

I think you’ll be saved the seaside trip with the first one. I don’t think I was wrong about the cookie storm, although it was more catering sized than a storm in a teacup and, unexpectedly, it was the US and not Europe that appeared to be looking closely at issues related to online tracking. The Wall Street Journal really started dunking that cookie in July with a series of articles entitled ‘The Web’s New Gold Mine: Your Secrets‘ which ran with a sub-header that spoke of ‘spying on consumers’ which is great journalist-speak but does nothing to reflect the nuances of the debate. I’ll award myself a B+ for that one.

Staring into my crystal ball I said that money will come back into digital advertising (check) and the switch to digital will continue (check). The Rubicon Project declared ‘Digital Ad Spend Grows 47% in First Half of Year‘ in August while only this month eMarketer declared, ‘The Web Passes Newspapers in Ad Spending For First Time‘. I will only award myself a B+ for those predictions too as, really, it was a little too obvious and even faulty crystals would have come close.

I wrote several times in the year about Paywalls and I am going to say the jury is still out on them. They did rise, but that had been announced, and I think it’s too early to talk about their impact on newspapers and on advertising. Although in August, WPP’s Martin Sorrell said, ‘online paywalls are an essential part of the armoury for newspaper and magazine publishers in the digital age’ (as reported by Brand Republic).

I am going to give myself an A for references to mobile coupons in my 2010 predictions. This is one place where the tea leaves more-or-less worked well. Admittedly, the mobile part is vague but the rise of Groupon, Living Social et al. means that couponing made a big come-back in a deal-obsessed year. We all like another 30% off, don’t we?

I am fairly certain that ‘monetizing social media’ will become a buzz (if it’s not already) but I don’t think Twitter really did come good with an advertising model (promoted Tweets anyone?). However, Facebook seems to be doing fine, thank you. Back in March, Inside Facebook predicted 2010 revenues at $1.1 billion, All Facebook suggested $1.2 billion in March and, just as Mark Zuckerberg was announced as Time’s Person of the Year, Facebook was reported as being on track to collect $2 billion in revenues in 2010, according to Bloomberg (and reported in MediaPost). Another B+ there because, I think it was another more-or-less obvious prediction.

And so to the one I really don’t know how to read. What can I say happened to mobile advertising this year? The definition of mobile changed at the start of the year when Apple officially announced the iPad. Is it a mobile device or not? What does it mean for advertising? We tried, and subsequently failed, to answer these questions in 2010.

Clearly, I was right about location based advertising becoming more prominent but only if, through use of smoke and some mirrors, I claim I was talking about the media buzz. I did see some good Foursquare location advertising on a trip to the US earlier in the year but Iâ€™m yet to see anything really take-off. Perhaps Facebook is the one to watch on this front (but, predictions are for another post). As for mobile, well Google closed their acquisition of AdMob, Apple acquired Quattro and subsequently launched iAd but have we really seen the innovation on that front yet? One publication, telecomtv.com, announced ‘Mobile advertising at last coming of age. In the UK at least‘ at the start of December so let’s go with that as an A- shall we?

I ended last year’s predictions with some comments about data. The aforementioned Wall Street Journal series certainly brought that to the fore. Just a few days ago AFP reported Mozilla chief executive Gary Kovacs as saying,

“You can’t tell me the delivery of a piece of content is going to be that much better if you know everything about my life; it’s all about moderation.”

and with that we’ll probably end 2010 in no better place in our understanding of data use than we ended 2009. At least the debate has started on the use of declared, inferred and tracked data and behaviours and I think that debate is a good thing. I, for one, believe a properly informed debate will be a good thing for the digital ad business.

Now to make a pot of tea and see what the leaves might suggest for next year. I think, overall, I am awarding myself a B+ for my 2010 predictions. Probably, we should be thankful we came through the year unscathed which, when you think about it, isn’t a bad place to end up.

There’s an interesting year ahead for 2011 as we might finally start to see on-demand television hit the big (bigger) time in the UK, there’s a data conversation still to be had and I have to ask if the march of social can be halted (and would you want that?). All-in, those could make for some interesting digital advertising times ahead and I’m hoping on the tram to Blackpool to see if Gypsy Jane-Anne is in and willing to look at my palm.

In the meantime, New Year will be celebrated Twitter style @curns.

It’s Time To Gaze Into The Future

Money will start to come back into advertising and that’ll make a lot of people feel better. However, the switch to digital advertising will continue, traditional media will remain at sea wondering what to do and how it’s all going to be paid for.

The world is awash with Christmas songs. But very few ever get around to singing about the New Year. Abba did it. And then there was that song from that Andrew Lloyd Webber musical, I’m sure it has something about it being a new year in the lyrics. I was wondering why there are so few new year songs and it occurred to me that between Christmas and the New Year everybody is busy predicting things and hasn’t the time to pen a song about how we’re all going to keep our resolutions until Tuesday.

And it is in that spirit that I am not writing a New Year’s tune but instead looking ahead to 2010 in Digital Advertising. I could, of course, have picked any topic but I thought one that I worked in might give me some credibility and, more importantly, means I can return to work on Monday morning with a plan for the year.

Let’s start with the predictable. There will be a storm in a teacup over use of cookies in Europe. And, of course, by the time everybody has agreed the technology will have moved on. Still, the industry will talk about it a lot and there’ll be pictures of biscuits (the chocolate chip variety) as the industry news sites run out of new ways to spin an old tale. Possibly a good excuse to hit the gym in January.

Almost as predictable is the second statement. Money will start to come back into advertising and that’ll make a lot of people feel better. However, the switch to digital advertising will continue, traditional media will remain at sea wondering what to do and how it’s all going to be paid for. And so-called paywalls will rise. I don’t think I need a crystal ball for this. I can smugly say that I previously said we had to stop thinking that advertising can pay for every thing; but smug is not a good way to enter into a new year so I’ll move on. A fragmented media market may be good for choice but diffused ad spending means nobody has any money to create anything. So, we as the consumer of content are going to have to start paying upfront for things.

It’s the last sentence that brings me to a digital age dilemma. If we’re going to have to start paying for content will we remain happy to consume advertising alongside it? Historically, we did in newspapers and in the cinema, for example. But we didn’t with books and don’t have our movie’s interrupted with advertising on the premium movie channels. I suspect newspapers in particular will hear a lot from users who won’t pay and download a banner style advertisement at the same time. There will be a fascinating follow-on impact for the advertising industry but I can’t read that from the cards.

As a quick aside I think there could be an interesting side story to the rise of required payments. For too long advertising rates, CPMs if you will, have been dropping and you have to believe it will come to a point where they can’t get any lower. I suspect the rise of paywalls for publishers which, if even vaguely successfully, will also force a rise in CPM rates (if the dilemma of the previous paragraph can be solved). The act of a customer paying for content proves the value of that content and suggests an engaged audience (and an audience with money). That must be an attractive place for advertisers to be.

And I think that’s enough crystal-ball gazing for today. Leave a comment if you think I’m right or wrong. Perhaps I will pen a Happy New Year ditty while celebrating this evening or, more likely, I’ll have a glass of something sparkling and try to be in a state to finish my predictions tomorrow. One thing I can say with certainty, if I do write more tomorrow it will feature the word Twitter.

So look out for my Happy New Year tweet around midnight. So long 2009!

Amélie & The Italian Job

One unexpected disappointment and one unexpected joy of a film.

We’re in a hotel in West London for the New Year celebrations and we watched two movies before heading down for dinner across midnight.

We started with the original Italian Job which was shown on the television. It’s one of those classic films that you are supposed to have seen but neither of us had and so we watched it. I don’t think it mattered to either of us how much we knew (or didn’t know) about the film (‘you were only supposed to blow the bloody doors off’) as I think we both came away with a disappointed feeling. It’s considered a classic British film but it didn’t come across that way. Michael Caine is excellent, Noel Coward was interesting and I don’t think I’ve seen Benny Hill act away from his TV show before.Don’t get me wrong, it is a good film, and I enjoyed it but this was certainly a case where the preceding reputation heightened expectations too much.

On the other hand, I knew nothing about Amélie except it would be the second subtitled film in as many days and I am not a big fan of them. Yet again, however, I was surprised by the film and the interesting side of Paris you see through Amélie’s eyes. And again, it’s a well shot, colourful and stylised film and I only wish I had been a little more awake to appreciate it fully: it’s full of wonderful moments as Amélie decides to help her friends in her own quiet, special way.

You have to see The Italian Job but you should see Amélie.

The Lord of The Rings

There are, perhaps predictably, few surprises in this second film. However, it remains a stunning piece of cinema and one that I will certainly see again and again.

Being New Year’s Eve I decided to hide away from some excessive partying and see Lord of the Rings: The Two Towers in central London.

The second cinematic instalment starts more-or-less at the point we left of with Frodo dreaming of Gandalf’s fall. I began by thinking we were in for a decent length of re-worked footage from the first film but, of course, I was wrong.

If you haven’t seen the first film and haven’t read the books you will need to do one of them before seeing this film for no concession is made to explain the previous tale. Thus, we must accept that the Fellowship is now split into three and we have three stories.

Frodo and Sam’s tale gets darker as the film progresses as Frodo comes under the influence of the ring. They are joined by Gollum which is a superb character despite being a computer-generated image.

The second group of Aragorn, Gimli and Legolas go in search of Merry and Pippin only to find themselves rushing to the aid of King Theoden of Rohan and featuring some amazing battles sequences. Merry and Pippin themselves find the company of the Ents whose role seems to have been played down in the film. The Ents are my favourite characters from the books and I had been waiting to see if they could be brought to life convincingly on the screen. Peter Jackson has done an amazing job on them and I was only saddened that they didn’t appear more.

There are, perhaps predictably, few surprises in this second film. There is little to discover in the central characters and, with perhaps the exception of Gollum, very little seems to be learnt about newer characters. However, it remains a stunning piece of cinema and one that I will certainly see again and again.

The Guardian has a summary of the main players. Other reviews can be found at Empire Online and Teletext.

Day: 31 December 2025