The Producers

The fact that it is one of the better shows on the West End right now possibly says more about the other shows.

I went to see a preview of the London version of The Producers today and was, like last night, a little taken by surprise. This time, however, it’s with disappointment and not pleasure. I’ve been talking to PY and trying to explain my disappointment but he doesn’t get it: he loved the show. I did not know the plot nor had I seen the film so I wasn’t let down by the story but I had read that Nathan Lane had taken Broadway by storm.

You can’t fault Nathan Lane: he’s superb and his comic timing is excellent. Lee Evans seems born for his role as the sidekick Leo Bloom and some of the songs are great. Others, however, seem weak and parts of the story are just not engaging. James Dreyfus camps it up John Inman style while Ulla, the Swedish blond bombshell, is so lost in the stereotype that any humour is lost.

Don’t get me wong, it is a good show. I can’t imagine Richard Dreyfuss in it and I imagine it will be hard to replace Nathan Lane in January. If you’re going to see it I would suggest trying to get tickets now because without Lane’s superb performance I am not sure where this show will go. The fact that it is one of the better shows on the West End right now possibly says more about the other shows.

Sadly, The Producers disappointed.

UPDATE: Well, the reviews are out and I may be a lone voice expressing disappointment. I wrote an updated review for the Yahoo Group: Gay Boy Musicals Fans UK (which you can read here if you’re not a member of the group).

Author: jon

Jon Curnow writes on curnow.org about things that interest him. The site has been around for many years in various forms and he always wants to write much more here than he does.