Weeknotes #82: Disused railways, Next To Normal

Engaged in social activities, theatre, and enjoyable media moments.

Week commencing Monday, 12 August 2024

A London Underground roundel at Holborn, the last one featuring Kingsway in brackets on the sign
The only surviving one mentioning Kingsway

Quantified Self

  • This week: Stand 6/7; Exercise 4/7 and Move 5/7. (71%). Morning walks: 0/5 (days in the office don’t count). Plant diversity: 45. Total steps: 57,194

Life

  • Excellent internal presentation on the history of software. Shame I can’t share any of it.
  • Wednesday, really? We all jump now that management ask questions when I have been asking for weeks? This is how it works. But it shouldn’t be.
  • Wednesday, I learned that there is an optimal temperature to give blood, meaning the current hot spell requires the blood service to rent large cooling units at my local donation centre.
  • Thursday morning, I fear I came across as annoyed in a meeting where the team didn’t appreciate I was trying to protect them.
  • Drinks with old friends on Thursday. Always the best.
  • Saturday night, Next to Normal is a rock musical that explores the struggles of a suburban family dealing with mental illness. Not the usual West End musical jolly, but sensitively done.
  • Pre-theatre dinner was at Mildreds: I was determined not to have anything faking something traditionally meat-based. That ruled out the burgers and anything with their “chick+n” in it. Grilled Roman artichoke & hemp Caesar salad was wonderful.
  • Sunday morning, up and out for a 10 am Hidden London tour of Holborn station, where two platforms from the former Strand (Aldwych) branch line are unused and hidden from day-to-day operations.
  • Finally, bye-bye London’s Kiss 100. Back when we did silly things, my work email inbox played the jingle “1 Kiss will make it better”. It drove people mad.

Media

Hidden Holborn

Holborn is the only London Underground station with two hidden closed platforms, unnoticed by passing travelers.

Looking down the illuminated tunnel to Aldwych
Branch line to Aldwych

In 2015, we embarked on our first ‘Hidden London’ tour, exploring the former Jubilee Line platforms at Charing Cross. It was fascinating to see these platforms, now hidden from public use, preserved in a time warp. It felt surreal to stand just beyond a ventilation grille, watching passengers and trains in the active station while feeling both like a spy and an archaeologist. The knowledgeable guides, who shared the rich history of London’s underground, made the experience even more engaging.

Since then, we’ve followed up with tours of other disused stations, such as Aldwych and Down Street, as well as behind-the-scenes visits to LU headquarters at 55 Broadway and unused parts of stations like Euston, Piccadilly Circus, Moorgate, Highgate, and Shepherd’s Bush. During the lockdown, we even took a virtual tour of the former tram tunnels under Kingsway.

During one of these tours, we learned that, at the end of the nineteenth century, London County Council initiated a redevelopment scheme in the Aldwych and Kingsway areas. This project aimed to clear slums, stimulate development, and create broad boulevards, which ultimately led to significant changes in the area. As part of this redevelopment, the Great Northern Railway management extended their planned railway to the Strand, naming it the Great Northern & Strand Railway. However, construction was delayed due to insufficient funds. When the plans finally materialised, Holborn station opened on 15 December 1906 on the Great Northern, Piccadilly, and Brompton Railway. The extension to the Strand came later and was eventually constructed as a branch line rather than a terminating station on what is now known as the Piccadilly Line.

Earlier this year, the London Transport Museum advertised a Hidden London tour of Holborn station, and I eagerly signed up. Today, we met a group of fellow enthusiasts around 10 am outside the station. It seemed everyone in our group had previously been on one of the ‘Hidden’ tours.

During the Aldwych tour, we learned that the branch line closed on 30 September 1994 due to the estimated £7 million upgrade costs, which would have supported just 450 trips a day. As the system was considered to be in managed decline, the expense couldn’t be justified. This closure left two platforms unused, and we had the opportunity to explore them.

A poster featuring a list of Piccadilly Line stations from before World War 2
Pre-war Wayfinding on the Piccadilly Line

One of the platforms remains recognisable, featuring the sole remaining ‘Holborn (Kingsway)’ roundel attached to the wall. Like other disused platforms we’ve visited, it occasionally serves as a mock-up for experimental equipment and signage. After its closure, it was also used as a filming location, notably for the music video of the 80s classic “New Song” by Howard Jones.

We also learned about an experiment involving water pipes to cool the underground and saw test signage showing a ‘St Paul’s’ platform edge sign above the familiar Holborn roundel. Pre-war Piccadilly Line wayfinding signs were also on display, and we peered down the still-lit line to Aldwych. Sadly, the station’s ‘bird’s nest’ control room, once used for early CCTV tests, is no longer there.

A cloakroom sign on a wooden door. The rooms here were added when the platform closed.
The rooms here were added when the platform closed

The other platform had closed much earlier, as the branch line was underused from the start. Through a flood defence door installed during the war, we saw the crossover lines where trains could be directed down one of two tunnels towards the Strand. Much of this platform had been filled in, and one of the tunnels was repurposed as wartime art storage and never returned to service. The filled-in track bed was used as accommodation and shelter during the Blitz but is now a concrete walkway. A corridor of rooms, once used as a cloakroom and later by a model railway group, remains empty and unused. It’s always fascinating to see how much under-utilised space lies beneath London.

As I wandered through these hidden spaces, I couldn’t help but wonder if a branch line from Strand might have gained popularity as tube usage surged in the current millennium. Could it have been viable with an extension beyond Strand to Waterloo and the south?

There are still unfunded plans for station improvements and a new entrance to ease congestion. Of course, the station has seen upgrades before. It was connected to the Central Line on 25 September 1933, the day after the British Museum station closed. Unfortunately, it’s unlikely there will be a Hidden London tour of that station, as the above-ground facilities have apparently been demolished.

Weeknotes #81: songs, carnival and a hat parade

A week of carnival culture, sport, and mindful Tai Chi practice.

Week commencing Monday, 5 August 2024

A collection of photos feature people dinging, in the carnival parade and wearing eccentric hats
Songs, carnival and a hat parade

Quantified Self

  • This week: Stand 7/7; Exercise 5/7 and Move 5/7. (81%). Morning walks: 0/4 (days in the office don’t count). Office days 1/5. Plant diversity: 40. Total steps: 52,988

Life

  • After stabbings sparked riots, the situation escalated. The courts intervened, and communities united.
  • Related, we are becoming a nicer nation: For every five crimes in England and Wales in 1995, there is just one offence committed today.
  • Monday, Lucy May Barker performed a live and intimate show at The Crazy Coqs: lots of beautifully performed songs and enthusiastic showbiz chat.
  • I don’t think I’ve watched so much sport since 2012. The Olympics really is the tapas of sport. This week: sport climbing, kayak cross, and breaking.
  • There was more sanding and varnishing of doors. Unfortunately, some of the wood had rotted and required wood filler. It’ll take several coats to get the colours to match.
  • It was a warm Wednesday evening for Tai Chi, although we practised inside. The group was a bit smaller, probably due to the holidays, so we focused on ‘harmony’ as a single group—it was quite an interesting exercise and really focused my mind. When I go, I find it very relaxing.
  • To Ryde. Really nice to see the transport interchange work is complete. Not so great to read that the bus shelters are already due for replacement due to seating issues, and the bus station road has had to be resurfaced due to damage.
  • A nice discovery while we were there: the Tapas place is excellent.
  • Saturday night was Shanklin carnival: A fire engine led the parade into town, and then all sorts of groups contributed floats. There was a marching band and, towards the end, a fantastic group of drummers. A Chitty Chitty Bang Bang float seems to be Shanklin’s official 2024 carnival float. There was everything from an Olde Tea Shop to a smoke-breathing dragon, in front of which a group were dancing to a mix of music including songs from Steps followed by The Rocky Horror Picture Show.
  • Sunday, the Hat Parade was back in Sandown.

Media

Weeknotes #80: warm days and two strangers

Enjoyed warm days, a local walk, and a barbecue with family.

Week commencing Monday, 29 July 2024

Theatre, BBQ, Cinema and a nice walk
This week in pictures

Quantified Self

  • This week: Stand 7/7; Exercise 5/7 and Move 6/7. (86%). Morning walks: 0/4 (days in the office don’t count). Office days 1/5. Plant diversity: 41. Total steps: 48,826

Life

  • It’s warm and muggy. Working from home means I can wear shorts. I do not approve of them as workwear.
  • Monday, a two-handed play at The Criterion: Two Strangers Carry a Cake Across New York. Dougal, a naive Brit, arrives in New York for his estranged father’s wedding and meets Robin, the busy, unenthusiastic sister of the bride. With songs! It was very well done but I thought Dougal was a bit bland.
  • Thursday, Bruce Willis is not bland in the not-really-a-Christmas-movie, Die Hard. I’d never seen it and the opportunity arose to see it at TT Cinema, which specialises in cocktails and cult classic cinema. When collecting our cocktail, other customers expressed shock that I hadn’t seen it. It holds up well.
  • Nice to be back on a local walk on Friday night. We decided a walk around the Cannon Hill Common would be good, just like we used to during the lockdown months. Lovely.
  • Family round for a barbecue on Saturday. A lovely afternoon with delicious barbecue food and plenty of drinks. Nothing burnt. The barbecue chicken kebabs turned out to need an oven and not a grill, which was surprising given the name.
  • We began sanding and varnishing the doors on the back of the house. We should have gotten out the varnish last year, as parts of the doors need significant attention. Nonetheless, we sanded one door and applied a couple of coats. In hindsight, it was a pretty quick process, and we should have done all the sanding at once.

Media

  • Lots of Olympics watching. I am continually watching the medal table.
  • The Jetty, a BBC drama one of PY’s colleagues recommended. For most of the episode, it was just OK, and I wondered why it was highly regarded. The twist at the end had us hooked, though it was too late to binge the remaining episodes.

Will Apple Pay play in the UK today?

(Try saying that title several times quickly).

If you are a follower of technology news you will, undoubtedly, have seen somebody writing about Apple Pay. If you haven’t seen anything about it, do let me know how your hibernation was. Of course, you can read and watch all about it on Apple’s page.

There’s been a positive reaction to this new way to pay and lots of discussion. And, of course, lots of people writing-up their experiences. Engadget have a good piece comparing Apple Pay and Google Wallet to using a credit card.

Of course it’s only available in the US so all the experiences you read about are there. But here, I think there will less of a ‘WOW’ when the system is, eventually, launched. Using the tap/wave approach to paying may be new but the UK has had contactless payments for some time. Suitably equipped phones – while few and far between – have been able to do this for a while. In 2008 (6 years ago, in case you aren’t counting) my bank, Barclays, started issuing contactless cards that allowed a tap payment for amounts under £20 (no PIN, no signature, no handing over your card).

I’ve been happily paying contactless for a while to the point where I don’t really notice it anymore. But, I thought I’d pay attention today and see how easy it is. For, if it’s already easy, are solutions like Apple Pay and Google Wallet going to make a big change to payments here in the UK?

This morning I took the train into Waterloo Station in central London. A smart-card ticketless system, Oyster, has been in place for years. But recently contactless card payments have been accepted by those little yellow readers. I took my Oyster card out of my wallet months ago and tap on the gates with a credit card. This morning, my wallet comes out of my pocket, I tap on the gate, I get to the train. The card didn’t come out of my wallet. No pressing of any buttons on any device. I don’t think it could get much easier.

And, from today, that tap on the station ticket gates also donates a penny everyday to the Mayor’s Fund for London thanks to the Penny For London initiative. No change coming out of my pocket into a tin and I feel a little better doing it.

On my way to the office I buy my breakfast, Porridge and a coffee if you’re interested, from one of the massive number of Pret A Manger stores in the city. I order, my pots are in a bag and I tap my card. This time I do take it out of my wallet. No fiddling with change.

My colleagues are not in the office at lunchtime so I go for a short walk. It was a very short walk because, today, the tourists seem to be crowding the streets around my office more than normal. I pop my head around Tesco’s front door and see the queue to pay is much shorter than normal at this time of day. A salad and spicy popcorn is paid for at the self-checkout with a tap of my wallet (again, I don’t even get the card out). The biggest hassle here is bagging my lunch.

On the way home it’s tap in and tap out at the station. I’m going to the gym so I get off a stop earlier. Contactless payment on London’s transport system is really simple & adoption seems to be picking up. Because I’m writing this piece I logged on to the system’s website. I’ve registered my card so I can download my payment and journey history if I want to. I check the statement and I notice that there were two occasions recently when my tap on the reader didn’t register properly and I am charged a higher journey fee. I update the records and click ‘apply for refund’. I’ve never had a problem getting a refund in the past. I can also see that capping has been applied because the sum of the individual journeys was higher than the equivalent daily travel-card price. I don’t do anything for this to be applied. They also operate a weekly cap but I don’t seem to spend enough with them to hit that very often.

On the way home I walk past The Hand & Racquet, a pub on Wimbledon Hill Road. I had a couple of pints there last night with a former colleague and, yes you guessed it, a round of excellent bitter was paid for at the bar with a tap on the handily placed card reader. Not for me the pockets full of change you invariably end up with after an evening in a pub.

Dinner, tonight, was already in the fridge but I wanted to pick-up some vegetables to go with it. The Co-operative near my house allows me to pay the £3.30 by tapping. In fact, the hardest part here was having my Co-op membership card swiped. The plastic on that card is separating so it doesn’t go through the reader very easily.

And that’s my day. Lots of small transactions all done without cash. In fact, so many of my days are like this I often forget to check I have cash with me so when I do need it, it can be a bit of a surprise.

My experiences here are genuine, I didn’t specially pick the shops to write this. If I’d gone to the sandwich shop for lunch then I would have needed cash. Many pubs don’t have the handy card reader and, of course, all my transactions were under £20 which allows the tap and pay. I know many of the mobile payment systems allow larger value payments but, today, I wouldn’t have needed them.

I love the advantages of tap-to-pay. With these transactions there’s no automatic receipt and I usually decline them so I’m not stuffing my wallet with ‘a useless paper receipt’ (as I once called them) and, of course, there’s no change lost down the sofa.

Improved By Design

A couple of months ago I wrote a thing about receipts and the utter pointlessness of P, T and M on that piece of paper. Admittedly, it’s not the most exciting piece of writing was it? On the other hand, it appears I’m not alone with this line of thinking. Jack Dorsey, you know one of the chaps that invented Twitter, apparently spoke at the US National Retail Federation’s annual Big Show conference (I suspect they are, close to what I thought was, a receipt industry) about this problem and ways the receipt can be better used as a communication tool to customers. If I was so inclined, I’d claim credit. You know, something along the line of how smart people follow my thinking. But, that’s pretty much a long-shot huh?

A little digging is a fascinating thing. It seems all sorts of pieces of paper could be improved with a small amount of design expertise. I was drawn to the idea of improving the receipt during an extended attempt to claim expenses for a recent trip. That trip included a train, a flight and several taxis. I know taxi paperwork is being improved: Uber and Kabbee do a great job of just emailing you the receipt after the journey – no more scribbled bits of paper that are incomplete. How many times have you had to add information to a taxi receipt yourself so that it was obvious what it journey it was for? They’re clear on where I have been and how much the journey cost. And email makes them easy to retrieve when it’s time to claim those expenses from the people that sent you there.

Peter Smart's Boarding PassAs it turns out there are plenty of other people who think train tickets and plane boarding passes could also be improved. These are a bit more complex as, unlike many taxi receipts they have to be shown while the journey is in progress. To that end they contain lots of little nuggets that mean nothing to you and me but might be crucial to the ticket inspector or air stewardesses’ ability to quickly interpret the ticket. I like Neil Martin’s version of the British Rail ticket (others have had a good go too). But for some innovative thinking, take a look at Peter Smart’s version of the airline boarding pass. If you’ve ever had to look twice at your pass to see which terminal/gate you’re going from then this redesign couple be really helpful.

What I particularly like about both of the examples I’ve shown is the removal of industry speak. Those little airport codes, you know LTN to WAW, are really London Luton to Warsaw Chopin in real, human, understanding. Why not just say that? Unless the product is a business-to-business tool where the people using the system speak the language of the industry it’s never a good idea to confuse with codes and jargon; and even in industry-specific systems I’m not always convinced. In the airport the departure screens don’t show WAW so why should the ticket?

There will be those who think a digital ticket/boarding pass is the solution but that experience needs improving too. My British Airways mobile phone app once showed a partner airline’s flight number for the journey – so the on-board crew were very confused – and I’ve known people who have stood at the front for five minutes or more rebooting a crashed phone so they can show a ticket and take their seat. Paper may be around a while for those things.

Now I just need an original idea for something to redesign.

Further Reading: This post is a follow up to I Don’t Want A Useless Paper Receipt and is also the third in my BEWA posts. The first a rather random post, BEWA: Sound the alarm! All the letters have been taken. Last week’s post was Elsewhere: Writing the perfect RFP.

Elsewhere: Writing the perfect RFP

One of my former colleagues, Louis, has written a piece on LinkedIn about the process some companies go through when putting together a Request For Proposal (RFP) for a major technology purchase.  His essential point, that the process – especially in the larger corporates – doesn’t really lend itself to the best outcome for the ultimate system users, is well made. I’ve been meaning to write something about this process for some time because, so often, it’s a process that prevents a technology seller working closely with the buyer to tailor the response (and, therefore solution) to meet the ultimate business goal. This is done in the name of fairness and transparency which is, of course, a laudable process but if it doesn’t get the best outcome, is it the right one? Although he’s writing in the context of marketing analytics, the words could just as easily be written for the ad tech industry and – probably – for any major modern technology purchasing decision.  Most of today’s tech solutions are complex and can be used in whole (or in part) in many ways as well as being integrated closely with existing systems. What this means, of course, is that there really isn’t a single solution to a customer’s problem from any vendor but a number of approaches that are best discussed and evaluated beyond a series of ‘compliant/not compliant’ statements in a document. Louis suggests some initial stages which are much more discussion than Q&A. I’ve seen – and been involved in – pitches where this works very well.  So, if your putting together any kind of technology RFP then it’s worth reading to make sure you’re giving yourself – and your tech partners – the best chance of success. Here was my small addition to the conversation:

Great advice.  The RFP process in many areas is broken.  I was once part of a team that was begged to complete an RFP for which we were not a good fit by a prospective client: a process that benefitted nobody but a procurement checklist. I really like your alternative suggestions. But, do you really think that your alternative approach requires a lot more time upfront? I don’t think it does but it needs a different kind of relationship with vendors.  In many organisations there’s already a large team putting an RFP together and it’ll go through many iterations before finally being issued so your alternative is just changing the way people evaluate the market: it needn’t take that much more effort. Having said all that, sometimes it’s best to accept that the RFP is the beginning of a process not the end. You may lose an individual RFP but that can mean the start of a business relationship.

Further Reading This piece was written in response to ‘Writing the Perfect RFP‘ by Louis Fernandes and forms the second in my BEWA series. The first was BEWA: Sound the alarm! All the letters have been taken.

BEWA: Sound the alarm! All the letters have been taken.

Sound the alarm! All the letters have been taken. It’s impossible to come up with a new acronym for anything anymore. BEWA, for instance. It’s been used. At least twice. It’s the British Equestrian Writers Association and the Business Educators of Western Australia Inc. It is also a Singaporean fashion brand and a village in Jamtara district of Jharkhand state of India. And I just wanted to start a meme. Not that I really have the ability to do that but, you know, it was an idea.

I hear you cry, “A meme? Are you sure?” And you would be right but indulge me for a moment.

I just paid the hosting fee for curnow.org to the folks a Dreamhost again.  I host my own site on some rented server space there. It’s been with them since 2002 and I can’t remember the company who did it before but I don’t think they are around anymore. The idea was simple: own my own space so I am not at the whim of a dot com business that might not be there tomorrow (this was 2002 and web 1.0’s bubble had well and truly gone bang).  I think I was inspired by Phil Gyford’s website and the idea of collecting all my own web content in one place.

I once wrote that the reason for building a site like this was because, “The ideals of a less censored form of communication, open and available to all, appeals to some deep belief I have in the basics of human community”.1  Of course those are the wild ramblings of an Web 1.0 idealist and you only need looks at the comments on any newspaper website to see how utterly nonsensical I was being.

But, having paid for another year I began to think about why I cough up this money given I don’t really write a great deal here when I could host a simple site for free in many places. Go and check out the beautifully simple curns.me for something along the lines of my original plans for this site.

Then, on Monday, somebody asked me about Google search and websites. I know very little about this. So I did a bit of research and looked at the search terms that got people to curnow.org. So, hello all you Ashley Paske fans (for the kids, he was Matt Robinson in Neighbours sometime in the the last century). There’s a reference to him here and it seems to drive people to look. And the picture isn’t there anymore so I will have to look at that and fix it one day.

So much for the more worthy stuff I wrote about personalised radio and why we should all stop thinking that news is something that can be easily defined.

All this lead me to think that I ought to try and add some new ramblings here just to justify the payment and get people here for some other reason. Which lead to my big idea – BEWA: Blog Every Wednesday in August. Catchy, don’t you think? And so I will try. Don’t hold your breath.

Footnotes

1 Originally written in a post entitled ‘Reasons‘, July 2000