Will Apple Pay play in the UK today?

(Try saying that title several times quickly).

If you are a follower of technology news, you will, undoubtedly, have seen somebody writing about Apple Pay. If you haven’t seen anything about it, do let me know how your hibernation went. Of course, you can read and watch all about it on Apple’s page.

There’s been a positive reaction to this new way to pay and lots of discussion. And, of course, lots of people are writing up their experiences. Engadget has a good piece comparing Apple Pay and Google Wallet to using a credit card.

Of course it’s only available in the US, so all the experiences you read about are there. But here, I think there will be less of a ‘WOW’ when the system is eventually launched. Using the tap/wave approach to paying may be new, but the UK has had contactless payments for some time. Suitably equipped phones – while few and far between – have been able to do this for a while. In 2008 (6 years ago, in case you aren’t counting), my bank, Barclays, started issuing contactless cards that allowed a tap payment for amounts under £20 (no PIN, no signature, no handing over your card).

I’ve been happily paying contactless for a while, to the point where I don’t really notice it anymore. But I thought I’d pay attention today and see how easy it is. If it’s already easy, are solutions like Apple Pay and Google Wallet going to make a big change to payments here in the UK?

This morning I took the train into Waterloo Station in central London. A smart-card ticketless system, Oyster, has been in place for years. But recently contactless card payments have been accepted by those little yellow readers. I took my Oyster card out of my wallet months ago and tap on the gates with a credit card. This morning, my wallet came out of my pocket, I tapped on the gate, and I got on the train. The card didn’t come out of my wallet. No pressing of any buttons on any device. I don’t think it could get much easier.

And from today, that tap at the station ticket gates also donates a penny every day to the Mayor’s Fund for London, thanks to the Penny for London initiative. No change is coming out of my pocket into a tin, and I feel a little better doing it.

On my way to the office, I buy my breakfast, porridge and a coffee, if you’re interested, from one of the many Pret A Manger stores in the city. I order; my pots are in a bag, and I tap my card. This time I do take it out of my wallet. No fiddling with change.

My colleagues are not in the office at lunchtime, so I go for a short walk. It was a very short walk because today the tourists seem to be crowding the streets around my office more than normal. I pop my head around Tesco’s front door and see the queue to pay is much shorter than normal at this time of day. I pay for a salad and spicy popcorn at the self-checkout with a tap of my wallet (again, I don’t even get the card out). The biggest hassle here is bagging my lunch.

On the way home, it’s tap in and tap out at the station. I’m going to the gym, so I get off a stop earlier. Contactless payment on London’s transport system is really simple & adoption seems to be picking up. Because I’m writing this piece, I logged on to the system’s website. I’ve registered my card so I can download my payment and journey history if I want to. I check the statement, and I notice that there were two occasions recently when my tap on the reader didn’t register properly, and I was charged a higher journey fee. I updated the records and clicked ‘apply for refund’. I’ve never had a problem getting a refund before. I can also see that capping has been applied because the sum of the individual journeys was higher than the equivalent daily travel-card price. I don’t do anything to make this happen. They also operate a weekly cap, but I don’t seem to spend enough with them to hit that very often.

On the way home, I walk past The Hand & Racquet, a pub on Wimbledon Hill Road. I had a couple of pints there last night with a former colleague and, yes, you guessed it, a round of excellent bitter was paid for at the bar with a tap on the handily placed card reader. Not for me, the pockets full of change you invariably end up with after an evening in a pub.

Dinner tonight was already in the fridge, but I wanted to pick up some vegetables to go with it. The Co-operative near my house allows me to pay the £3.30 by tapping. In fact, the hardest part was swiping my Co-op membership card. The plastic on that card is separating, so it doesn’t go through the reader very easily.

And that’s my day. Lots of small transactions all done without cash. In fact, so many of my days are like this that I often forget to check that I have cash with me, so when I do need it, it can be a bit of a surprise.

My experiences here are genuine; I didn’t specifically pick the shops to write this. If I’d gone to the sandwich shop for lunch, then I would have needed cash. Many pubs don’t have a handy card reader and, of course, all my transactions were under £20, which allows tap and pay. I know many of the mobile payment systems allow larger value payments but, today, I wouldn’t have needed them.

I love the advantages of tap-to-pay. With these transactions, there’s no automatic receipt, and I usually decline them so I’m not stuffing my wallet with ‘a useless paper receipt’ (as I once called them) and, of course, there’s no change lost down the sofa.

The Producers

The fact that it is one of the better shows on the West End right now possibly says more about the other shows.

I went to see a preview of the London version of The Producers today and was, like last night, a little taken by surprise. This time, however, it was with disappointment, not pleasure. I’ve been talking to PY and trying to explain my disappointment, but he doesn’t get it: he loved the show. I did not know the plot, nor had I seen the film, so I wasn’t let down by the story, but I had read that Nathan Lane had taken Broadway by storm.

You can’t fault Nathan Lane: he’s superb, and his comic timing is excellent. Lee Evans seems born for his role as the sidekick Leo Bloom, and some of the songs are great. Others, however, feel weak, and parts of the story just aren’t engaging. James Dreyfus camps it up in John Inman style, while Ulla, the Swedish blond bombshell, is so lost in the stereotype that any humour is lost.

Don’t get me wrong, it is a good show. I can’t imagine Richard Dreyfuss in it, and I imagine it will be hard to replace Nathan Lane in January. If you’re going to see it, I would suggest trying to get tickets now because, without Lane’s superb performance, I am not sure where this show will go. The fact that it is one of the better shows on the West End right now possibly says more about the other shows.

Sadly, The Producers disappointed.

UPDATE: Well, the reviews are out, and I may be a lone voice expressing disappointment. I wrote an updated review for the Yahoo Group: Gay Boy Musicals Fans UK (you can read it here if you’re not a member of the group).