Weeknotes #87: out and about

A lively week of events, tech, and entertaining media experiences.

Week commencing Monday, 16 September 2024

Fish & Chips with a sea view
Fish & Chips with a sea view

Quantified Self

  • This week: Stand 7/7; Exercise 6/7 and Move 7/7. (95%). Morning walks: 3/4 (days in the office don’t count). Office days 1/5. Total steps: 62,572

Life

  • Christmas countdown is progressing. Now, less than 100 days.
  • Millions watched last week’s Apple launch. When Om Malik wrote that they seem to have the same place in the modern zeitgeist as fashion collections being unveiled every season, it resonated.
  • There’s a feature on my phone that tests to make sure I am using the most appropriate silicon tips for my ears. Turns out, I should be using a different-sized one in my right ear. I think the fit is better and the sound improved. Impressive technology.
  • Monday: Dinner with former – and current – colleagues. Everybody is doing well.
  • Open House volunteer party was a lovely event, and I met nice people. We had a Street Burger afterwards, which was better value than expected.
  • Some social drinks were cancelled, but I made up for it by staying at the post-work drinks longer than I planned. The first day I did not complete my exercise goals in over a month.
  • Related, after a long night out, a delicious kebab delivery arrived, satisfying my midnight cravings.
  • To Kingston and back in under an hour. The new watch is nice.
  • Left early to make the 7:20 pm ferry, but it was cancelled. Took the also delayed car ferry, which turned out to be nice.
  • The weekend company, location, and hot tub were lovely. The Fish & Chips with a sea view was wonderful. The BBQ was delicious. The sausages were spicier than suggested, and Sunday’s carvery contained a lot of food.

Media

  • The last episode set Dead Boy Detectives up for a series that isn’t coming. It wasn’t aimed at my demographic, but I enjoyed it and thought it was original.
  • Full Disclosure hired an actor to voice The Secret Barrister – it was an excellent episode.
  • I also heard the episode with the Labour MP for Rhondda, Chris Bryant, which is all worth a listen.

Curns’ Ad Links for 22 September 2010

In Recovery Mode

For most of the weekend before last (and parts of the week either side), I was in Amsterdam at IBC.

How long does it take to recover from a week in Amsterdam? Given that it’s now Monday, I would say about five days. Of course, your mileage may vary, etc., etc.

For most of the weekend before last (and parts of the week either side) I was in Amsterdam at IBC. IBC is essentially an enormous broadcasting technology conference & exhibition, although it is aimed at the electronic media industry. While the focus appears to me to be technology, there is, apparently, a decent representation from the creative side of the industry. It’s been around for years, and it’s quite important to many in the broadcast sector. While I’ve known about it for a long time, and have watched colleagues go before, I’ve never been myself. Upon arrival at the conference, prepare yourself: I found the size quite daunting. I suspect extensive, advance planning for your visits/meetings, etc. is the key to the experience.

Friends often ask me about this kind of event. Is it a trade show, conference, or a place for old friends to meet/excuse for a drink? Well, I know that this time I probably encountered the lot, but I have never been so exhausted after a conference in all my life, which is why it’s taken me five days to get the photos up onto Flickr. Although the hotel that they put us up in was very nice, central & restful, there is a lot (an awful lot) of walking. Tip: take a map showing the location of the RAI conference centre and your hotel. Walking between the two may be a trek, but it saves waiting for the cabs or trams as the centre closes each day.

The thrilling thing (at least for me) was that it was the culmination of many months of work to have our advertising management tool deliver targeted, addressable advertising to video-on-demand systems. Microsoft, of course, had a fantastic stand in the Topaz lounge where all sorts of great technologies were being showcased. Check out some of the things Silverlight can do. But for me, the television screens in the corner connecting AdManager to Mediaroom were what it was all about. This meant that I stood for many hours, watching the same video clips and advertisements (and I still want a pizza despite – or perhaps because of – seeing a pizza ad several hundred times), but the response from customers, partners & prospects was great. You can read about the Mediaroom Advertising Platform in the official press release for the event.

I think targeted, addressable advertising is the future of advertising, and I don’t think that’s a big announcement at all. Many people in advertising will say they’ve been doing it for years. What’s direct mail advertising, after all? However, in the digital world, the key issue will be defining what is meant by targetable or addressable. Many years ago we used ‘targeting’ to describe how we were able to place an advertisement on a particular page on a website. Other areas of the advertising industry have used it to describe demographics or audience segments. Isn’t Amazon’s “customers who bought” suggestions a great form of highly targeted promotion? The main problem is that we have no standard, industry definition of what we mean by targeted or addressable. Amazon knows my purchase history – it should be easy to target on that. But what about mobile or television advertising? How do we define what’s targetable? I agree that we still have some research to do in this area.

As an aside, it’s worth recognising that with little effort, many things are targetable, including personal data. But that’s not what I am referring to here. Privacy policies, user information, declared data, etc. are all within the scope of legislation and deserve a better piece of writing than this. No, I’m suggesting that the industry simply needs to standardise what it means by targetable advertising as a starting point for us all.

There were plenty of other people demonstrating similar things in this and related fields. It’s interesting to see that the television business is not, contrary to the predictions of YouTube doom, standing still. If IBC is any indication, there’s a whole heap of innovation for those of us who watch television, which could dramatically change our experience. I’m looking forward to seeing which ones make it to the mainstream.

Apart from watching television advertising all day, Amsterdam was a fun place to be. It was my birthday in the middle of it all; they brought me a dessert with a sparkling candle, and they took me to a great steak restaurant whose name I have lost and therefore can’t recommend. Thanks to all my UK colleagues for that. After we packed away, we took a canal tour to pass an hour or two before heading to the airport, arranged by some of my US colleagues (some of whom had not visited Amsterdam before).  There was even a bar showing American football and a late-night team of my US friends trying to explain the rules to me. I’m not certain I mastered them; I’m afraid. Sadly, there wasn’t enough time to catch up with my old friends from my days in the radio distribution business. Hopefully, another year.

It was an exhausting week, but a great glimpse of where we are taking the technology.

Disclaimer: the views here are my own and are not necessarily the opinions of my employer (who sent me) nor of customers (who I spoke to while there). You have read the full disclosure, haven’t you?

 

Update: 29 September: Added some links to related commentary at Connected TV.

The Woman Who Cooked Her Husband

… on seeing the three-headed comedy, The Woman Who Cooked Her Husband at The New Ambassadors Theatre.

After walking around London all day yesterday, I finally got PY, an American colleague, and my tickets to The Woman Who Cooked Her Husband. It’s at the New Ambassadors Theatre, an intimate and interesting venue. It stars Alison Steadman and Daisy Donovan.

It’s a three-headed almost-farce-like comedy (I was waiting for a Vicar and no trousers), and it’s only mediocre. Firstly, the title gives the game away. Secondly, the story is too weak to carry for ninety minutes, and thirdly, sadly, some of the acting isn’t great. There’s an old adage that everyone’s a critic, and at £32 a ticket, I think I bloody well deserve to be. Daisy Donovan, who I find hilarious on television, seemed out of place – although maybe that was just me, as reviewers seem to think she handled herself well. However, when the main comedic thrust of her role was the comedy dancing – which might work on TV but looks very strange on the stage – I didn’t think she stood a chance. I imagine Alison Steadman did her best, but the material just wasn’t up to it. It didn’t give Daisy Donovan anything to make her West End debut with, and it didn’t give Alison Steadman anything to get her teeth into. This review says all this in a much more articulate way.

Still, despite its shortcomings, it was an OK evening. Middle-aged couples and pairs of gay men. There is something faintly disturbing about that mix. And, perhaps, one should always remember that food is as important as sex.