Timmy On My Tranny

There was something faintly exotic about the mad-cap antics and celebritry filled audio that came out of the radio. I imagine today it would seem tame but our only chart fix was Look-In magazine and, when I discovered it, Smash Hits.

Timmy Mallett's autograph cards from Piccadilly Radio in the 1980s
TOTT

I’ve been re-reading my piece about radio and how my love affair with the medium started; all prompted by a certain person making a big splash on a recent TV show.

It occurs to me that in my radio reflection, I listed names that, even today, many would be familiar with, and I started to wonder who in that list jumped out when when people read it. I’m fairly certain one jumped out to many: Timmy Mallett. Whenever I tell people that radio story, Timmy Mallett (along, possibly with Chris Evans) is the name that makes people chuckle most. I guess people think of Wide Awake Club or the spinoff, Wacaday. But those aren’t my memories.

Timmy Mallet was enormously famous in the North West for his evening show – Timmy on the Tranny – on Piccadilly Radio. At least, he was famous at my school which – to me – meant everybody in the world must have known who he was. And years, and a little rationale, later suggests that we were right. Timmy Mallett won Smash Hits awards which, given they were voted for by national audiences (many of whom wouldn’t have heard his shows), seems to suggest a good few others listened-in. Aunty Boney, Padlock the Poet and Chris Evans’ Nobby No-Level where characters that filled out our homework evenings. And then we’d talk about them in school the next day.

To me, Manchester seemed a million miles away from Wigan but had the advanatage that the biggest stars of the day played Mancheter gigs (I don’t recall anybody playing Wigan, not even Kajagoogoo whose front man, Limahl, hailed from somewhere up the road. I think Bucks Fizz played a sports centre once just outside Wigan, but I may have invented that). And long before I would be able to go and see bands, they all visited Timmy Mallett at Piccadilly. No interviews from studios many miles away, if a chart act played Manchester they visited Timmy (or, at least, all the chart acts I cared about as a teenager did). There was something faintly exotic about the mad-cap antics and celebritry filled audio that came out of the radio. I imagine today it would seem tame but our only chart fix was Look-In magazine and, when I discovered it, Smash Hits (of the awards fame).

So, I guess, well done to Timmy Mallett for getting close on I’m A Celebrity but, to me, he’ll always be the madcap voice coming out of my evening radio. And without a foam hammer anywhere to be seen.

House Of Flying Daggers

Visually stunning both in terms of photography and the settings. The fight sequences well choreographed and executed and, overall it’s very stylised.

After yesterday’s trip to the cinema, we decided that we would do it again and PY had been wanting to see House of Flying Daggers (Shi mian mai fu) so it was decided that we’d give it a go. I have to admit that I am not a big fan of subtitled films in any language so the strangeness of Mandarin didn’t bother me too much. It’s visually stunning both in terms of photography and the settings. The fight sequences well choreographed and executed and, overall it’s very stylised. Many people will enjoy the style of the movie and equally as many will see the style as a blocker to following the plot (undercover police deputy becomes captivated with suspected revolutionary on a journey to somewhere never properly defined). I was willing to give it a go and really enjoyed the film for the presentation and visuals but I couldn’t get past the ‘style’ to become engaged in the plot. Hand-on-heart I tried. I can’t knock the film as I think my inability to connect is due to my lack of experience watching films like this and I would urge you to get to see it before it closes and let me know what you think.