Weeknotes #176: lock, rock and rail

Theatre, music, museums and kindness outweighed boiler and train frustrations.

Week commencing Monday, 1 June 2026

Blackpool Tower illuminated in rainbow Pride colours against a deep blue night sky, photographed from street level looking upward. Strings of LED lights in red, orange, yellow, green, blue and violet cascade down the tower's steel lattice structure. A warm streetlamp glows in the foreground, and the curved facade of a Victorian brick building is visible to the right, bearing a sign reading "Blackpool Promenade".
Blackpool Tower blazes in Pride colours under the Saturday night sky.

Quantified Self

  • This week: Stand 4/7; Exercise 4/7 and Move 4/7. (57%). Morning walks: 0/4. Office days: 1/5. Total steps: 62,668. 14.3 hours in meetings.

Life

  • Monday was definitely a day of two contrasting customer service standards.
  • First, British Gas was scheduled for the boiler service. I was up early to make sure I was ready for their text or call, which came just before noon. I emptied the cupboard around the boiler so they could get in to service it and watched their van arrive on the street. A few seconds later, I watched the van turn around in front of our house and drive off. It was followed by a text stating they couldn’t access the property. No follow-up call; nobody got out of the van.
  • Then, I called the insurance company about the jammed front door. They sent a locksmith, who took one look at the door, confirmed they had a replacement mechanism, got the required approvals, and, within twenty minutes, we had a new, fully functioning lock. And very friendly service.
  • I learned this week that news isn’t getting preserved in the Wayback Machine anymore because major media outlets are blocking it. This is bad for the future. Stop, and sign the petition.
  • We saw a ticket offer for Dark of the Moon at the Charing Cross Theatre on Wednesday — a new-ish musical based on a 1945 play, with a preposterous but interesting supernatural plot about a witch boy and a human girl whose love is undone by small-town intolerance, a theme that feels no less relevant today. The staging was clever, the score impressive given the pedigree of the songwriters, and Glenn Adamson as John the Witch Boy was the standout — all rock-god energy with real emotional range.
  • Related, I wrote up a full review on my blog.
  • Thursday, to the pub that’s opened up in place of Dear Grace. It’s called BloomsYard (without a space!). Fancy.
  • Friday was all about delayed trains on the way to Blackpool. I’ve written about that too.
  • Saturday, in Blackpool to see Beverley Knight’s Born to Perform tour. The show itself was two full sets with an interval, taking us on a journey through her career in soul and on to her musical theatre work. Every song had a story, which is just how I like to see artists, and she told them all beautifully. The whole room was on its feet by the end. A brilliant night.
  • Related, I wrote about the concert.
  • Sunday, to Showtown, a museum dedicated to Blackpool’s history as a holiday destination and a place to be entertained. It was a wonderful way to spend ninety minutes. On the way out, they asked us to write a review, so I did a longer one on my blog and a shorter version for review sites. I hope more people get to enjoy it.
  • Don’t ask about the train back. That was worse.

Media

Showtown: Blackpool History

A golden age of entertainment

A vintage promotional sign for the 1967 Blackpool Illuminations, running from 8th September to 29th October. The painted board features Blackpool Tower adorned with strings of coloured lights cascading downwards, set against a teal background with a searchlight beam. The text appears in green, white, and orange lettering. The sign is displayed at the Showtown Blackpool museum.
Vintage 1967 Blackpool Illuminations poster, on show at Showtown.

These days, Blackpool isn’t quite the same as it was during the golden age of seaside entertainment, when comedians, singers, and variety acts filled theatres all summer. At least, that’s my assumption. I wasn’t around for the so-called heyday.

Back then, I imagine, the promenade was full of laughter, music, and the smell of chips and vinegar, with neon lights promising fun everywhere you looked. Most of that world has faded as holidays changed and entertainment moved on, but the Showtown museum, which we found almost by accident today, does a great job of showing why Blackpool was once one of Britain’s top holiday spots.

The museum is just off the promenade, tucked away (almost) behind the Tower. I don’t think many people find it by chance, which is a pity. The exhibition celebrates Blackpool as a place built on entertainment, escape, magic, bright lights, performance, and the belief that everyone deserves to have fun.

I really enjoyed visiting and would recommend it to anyone.

After you pass the entrance and gift shop and head upstairs past the handy lockers, the museum tells Blackpool’s story with a good mix of objects, films, photos, and interactive displays. It’s easy to get around, well laid out, and really helps you see everything Blackpool has offered over the years. One of the first things I did was look through a beachside telescope to see old photos from Wakes Weeks, which were especially interesting. There were lots of black-and-white pictures of people on the beach, all dressed in their best clothes instead of swimsuits. Those photos showed a time when whole towns would head to the seaside together, looking for the fun that Blackpool was made for: factories closed, bags packed, trains full, and everyone was off for a week by the sea with friends and neighbours.

That history meant a lot to me because Blackpool was part of my childhood too. My grandparents spent many holidays there during the Wigan holiday weeks, so we often visited as kids. One of our family traditions was driving through the Illuminations with Dad, watching the lights go by from the back seat. I was always excited to spot the illuminated trams travelling along the Prom. Seeing that story in the museum, with many of the famous Illuminations designs on display, made the experience feel personal.

The Illuminations section was one of my favourite parts. It treated something that might seem like a cheesy seaside show with respect. Of course, it is a contrived spectacle, but when I was eight, it was an exciting one. Blackpool has always known how to put on a show, whether that’s lighting up the promenade, filling a (Strictly) ballroom, hosting variety acts, or giving people stories to share on the way home while eating fish and chips.

I also enjoyed the displays about dance. Blackpool’s links to ballroom dancing, social dancing, and nightclubs (sometimes that early-90s late-night student favourite, The Hitman and Her, was filmed here) give the town a history that’s both glamorous and down-to-earth. You can even stick your head through a slot and try all the dances without moving a muscle. It’s not just about TV shows; it’s about people dressing up, going out, and having fun, especially when this was their one week off from factory work.

Showtown isn’t a large museum, so it’s easy to visit in about an hour. It wasn’t crowded when we went, which made it simple to get around and try out the interactive displays. There’s plenty to think about, lots to make you smile, and many things to try, all helping you appreciate a town that has spent generations entertaining people.

Visiting left me feeling even more fond of Blackpool. For all its jokes, kiss-me-quick hats, and neon lights, Blackpool has brought a lot of happiness to many people, including my family. Showtown shares that story with warmth and just the right amount of showmanship.

S.W.A.T (Again)

Repeat movies? Sometimes it’s OK to watch a film again.

So last night I saw S.W.A.T on DVD. PY had not seen it, although I had watched it back in December on a plane to the US. It was as good as I remembered, and I don’t think they cut too much from the version I saw on the plane. Always worth watching Colin Farrell in – almost – anything.