Hello Curns

Dear Digital Diary

Dear Diary Exhibition In the archive you’ll find that I posted an entry from 2002 entitled “Give Us Our Daily Blog” which is a collection of daily blogs that I read. Most of the links are now dead and I don’t recall that much about many of them. I do know that one thing that appealed to me in the early days of web publishing was the very personal nature of the content; it was the kind of window on the world I don’t think we had seen before.

Since then, we have become used to a never-ending stream of personal thoughts that pour onto the screen from blogs, social media and now YouTube videos. In the first days of the web it was like opening the padlock on somebody’s secret diary and reading their inner-most thoughts. Of course, we’re all used to it now and we all move the first things that pop into our heads onto a screen via a keyboard.

Dear Diary is an exhibition at King’s College, Somerset House, until 7 July, that is a celebration of the art of diary keeping in all its forms. From the early almanacs, through the diaries of Pepys, Kenneth Williams, online journals and, now, YouTube, they are all covered in an interesting collection that forms this small exhibition. If you are in London before 7 July 2017 then you should go and see it (and you get to see inside one of the wings of Somesert House that you would not get access to unless you were a student).

It was a thought-provoking exhibition and made me think about what element of these journals I’d like left behind. After all, a printed version of this site could hang around but – eventually – nobody will be paying for the hosting and I imagine my hosting provider will hit the big delete button. I’ve already commented this week, in the post about satellite dishes in New York, about my early online life which has already disappeared. What version of history does the web give us if much is deleted?

How do you preserve an online diary for further generations?

#SOLS

Sermon Of the Last Sunday is my attempt to ensure that there is something published on my site every month in 2017. You can read about my attempts to force myself to write or review the full #sols collection through the handy site tag, sols. In an earlier post I wrote about a visit to Japan or maybe your more interested in digital advertising. #sols has it all.

A New York Dish

A picture triggered a rather clear flash back to 1994 and one of the first times my name ever appeared on the internet.

I’m on a short work-related visit to New York. It’s hot here. But, for once, not as hot as London.

You know what they say about mad dogs and Englishmen? Well, today, sometime just after my lunch I went to the roof of our office building which has had a fancy new terrace installed. It was lovely. And very hot. I didn’t stay there long. You can’t, however, stand atop of a New York roof and not take a picture. So I did.

New York Skyline from the New York Office

Reviewing these pictures moment ago, this picture triggered a rather clear flash back to 1994 and one of the first times my name ever appeared on the internet. I don’t recall who wrote it, it’s gone forever from the internet archive, but it was a sarcastic comment about my online collection of pictures of satellite dishes at British radio stations. There was a reason they existed. I worked for the company who owned the dishes at radio stations and we had a collection of photographs so that you could describe to an engineer where the dish was if they needed to point it back at the satellite after a pigeon had flown in to it (which actually happened). On the night shift one day I decided to share the pictures with the world on the corporate www.

At some point it was deemed inappropriate to house the pictures on the website of the company that owned the dishes. So I bequeathed them all to James Cridland’s MediaUK directory where, for a few years, the image was linked to the radio station’s entry. I found the Red Rose picture in the internet archive. For this one, you really didn’t need a picture to describe to an engineer where the dish was. Although James credited me on the pictures, I actually took none of them. They were all taken while I was locked in the control centre overnight (which – and it amuses me daily – was located about 15 paces from the front door of the London office building I work in today).

Elsewhere: Get Down Shep

A little like counting the rings on a tree, you can age somebody who grew-up in 1970s Britain by the main television characters they reference.

In Radio Reflections I wrote about how, when I was growing up, the media landscape was very different than it is today. A landscape of fewer channels means that, like counting the rings on a tree, you can age somebody who grew-up in 1970s Britain by the main television characters they reference. For some it might be Zammo or ‘Gripper’ Stebson in Grange Hill. Maybe a little later it would be Scott and Charlene in Neighbours. But, I think, for most of my generation the real telltale dating come from your Doctor (mine was Tom Baker) and your Blue Peter presenters. For me, Lesley Judd, Peter Purves and John Noakes were Monday and Thursday television.

Earlier today, the BBC announced the death of John Noakes. The Guardian leads their obituary with this story, which I think sums up the adventurer-spirit,

In 1977, the television presenter John Noakes, who has died aged 83, climbed Nelson’s Column without safety harness or insurance, for an episode of the BBC’s enduring children’s show Blue Peter. After shinning up one ladder, Noakes swung himself dauntlessly on to another, tilted 45 degrees from the vertical. “At this level,” said Noakes in a voiceover, “the plinth on which Nelson stands overhangs the column. I found myself literally hanging on from the ladder with nothing at all beneath me.”

Throughout the time I watched, John was always accompanied by Shep, described as ‘an enthusiastic border collie’. Shep & John went everywhere together: they really were a double act. Noakes was known for his catchphrase, “Get Down Shep” but I wonder if it really was uttered that often?

I think you pass from famous to national treasure in Britain once we’re able to take have a little fun with you. For John Noakes, he may already have been a National Treasure before The Barron Knights released Get Down Step, but this cemented that status.

(I posted a slightly shorter version of this earlier on Facebook)

Elsewhere: The hottest piece of technology on Earth right now

I also saw Guardians Of The Galaxy Vol.2 which is very different. There’s one part that’s still amusing me 24 hours later.

Guardians of the Galaxy Vol. 2 Film Poster I saw a couple of films over the bank holiday weekend.

Their Finest (trailer) is an excellent film set in London during World War II. Bill Nighy is really very amusing in, what turn out to be, a very warm and moving film. I also saw Guardians Of The Galaxy Vol.2 (trailer) which is very different. There’s one part that’s still amusing me 24 hours later. I said this on Facebook:

Guardians Of The Galaxy Vol.2 is a great sequel, with plenty of amusing lines, and a 70s and 80s ‘awesome’ mixtape that, of course, works better in the film than when you play the soundtrack at home 24 hours later. I don’t think it’s a spoiler to say that, towards the end of the film, there’s a quick reference to a little device from 2006/7 that, amusingly, fewer people in the cinema seemed to recognise than “Brandy (You’re a Fine Girl)” by Looking Glass, which dates from 1972.
A few of us here might remember it.

Also: https://www.polygon.com/2017/4/27/15450274/guardians-of-the-galaxy-vol-2-microsoft

Maybe related: Disappointing Frustrating

Happy Birthday BBC Shropshire

After 32 years on the air, there’s still something special about BBC Local Radio in Shropshire.

Something Special in Shropshire

As I post, it’s still St. George’s Day: just. According to Wikipedia, St George rose to the position of the primary patron saint of England during the English Reformation. I didn’t see many references to St. George today, but I think most people across the country were thinking about the dragon rather than the Pope’s control of the Church in England.

If, however, you live in Shropshire – or you are a radio historian of some kind – you’ll know of today as the 32nd anniversary of the launch of BBC Radio Shropshire.

I am not sure that I would have mentioned it here accept for the fact that a few weeks ago I found an old cassette with copies of the pre-launch test transmissions from 4th and 9th of April 1985. I am sure that there’s lots that you can learn from those test transmissions but, what I find most fascinating, is that Radio Shropshire’s first voice, Diane Kemp,¹ repeats the postal address in almost every link. The phone number is mentioned but, of course, there was no text, email, tweets or Facebooking. A few years later, one of my first jobs was answering the telephones for the afternoon shows on the station: regularly speaking to the characters that made up the county. It was the primary way to be part of the station, we’d call it interaction today. It definitely shows that our interaction with radio stations has changed massively in 32 years.

Also this week, one of those aforementioned radio historians, David Lloyd, wrote about the change in regulation now that BBC Local Radio is overseen by Ofcom. Today, I’m not sure BBC Local Radio has quite the same character that those test transmissions imply, but it remains a distinctive service. The regulation should ensure that the unique voice continues and not become “a BBC local service which is largely networked.”²

A few years ago I wrote about changes to the Shropshire Radio landscape, when Signal 1o7 launched and Beacon was re-branded to Free Radio, and pondered if bigger names were a blueprint for the 21st century: giving smaller stations a recognisable brand. Today, I remain convinced by the theory but, when I last listened to either of those stations in Shropshire, the key bit missing was anything about the county. Given Signal 107’s audience share is less than 2%,³ and Free Radio’s share in Shropshire is around 9%,⁴ have those brands lead to a reduction in local content which, in turn, means listeners tuning out? Or, is it purely a matter of increased competition? BBC Shropshire’s audience share is around 13%⁵ but I am not sure how to read that. Is local content important to audiences. Certainly, I would hope that Ofcom recognise that BBC Local Radio may be the last bastion of substantial amounts of local information on the radio. Isn’t the licence fee there to support content the commercially-funded stations can’t afford to?

I think BBC Local Radio is nicely summed-up in the words towards the end of my test transmission recordings,

There are stories in every village, every street, probably every home in Shropshire. Wonderful characters with a tale to tell; local gossip; a row over some local controversy; people with wonderful hobbies: eccentrics and fanatics, comedians and Jeremiahs, good deeds and bad deeds. We’re interested in the lot and the more you tell us about them, the more we can use. It’s that type of station. ⁶

I think that’s what makes local radio interesting. I hope Ofcom manages to keep it that way. Happy Birthday BBC Shropshire.

Footnotes
¹ Diane Kemp, now Professor Diane Kemp at Birmingham City University’s School of Media
² Goodbye from BBC Local Radio?, David Lloyd, 19 April 2017
³ December 2016 data, media.info. Total survey area for Signal 107 is greater than Shropshire.
⁴ December 2016 data, media.info, former Beacon Shropshire area.
⁵ December 2016 data, media.info.
⁶ Test transmissions: https://soundcloud.com/curns/4th-9th-april-1985-test-transmissions-edit

Stretching From Slumber: Morning Light

Through London in the early morning: did somebody fall asleep with the light on? Who’s awake at this hour?

The day’s first light has not quite made it above the horizon but the dawn sky says it’s coming. The city’s suburbs are stretching themselves awake from their slumber. I’m travelling at just the right moment: the morning’s engines have not quite started and the only thing slowing me down are the red traffic lights on the way, mainly stopping me for imaginary vehicles or invisible people.

Yet there’s light all around, but it’s artificial. As the morning yawns, announcing a new day, all the lamps seem unnecessary yet turning them off would make it feel nighttime eerie. There’s a strong pulsating white headlight from a bike coming down the hill; a cyclist adorned in orange high visibility. You can’t miss it although the beam might be blinding. As we cross over the bigger highway with empty lanes waiting for the morning rush, there’s the throb of an orange warning light sitting atop of a recovery van while more people in high visibility scurry to attach a vehicle to the back. Travelling through the suburbs there’s a momentary flash of emergency blue from a police car but I have no idea why he’s pulled-over, alone, on the side of the road.

There are lights in the block of flats to my left but, with curtains drawn, any movements are invisible. Did somebody fall asleep with the light on? Who’s awake at this hour? There’s a lamp in a hotel room creating a shadow of arms dressing – no curtains, but more anonymity. Passing an office block, the lights of the third floor illuminate in a sweeping movement ahead of a shadowy figure with a machine sweeping the floor in preparation for the arrival of the worker’s feet. There’s a fully-lit supermarket with lines of lifeless shelves waiting for the day’s first shoppers and the dancing movement of a man and a mop. And there are more shops, partially lit, yet locked-up to all: their night-lights highlighting a small portion of the retail space, with a focus on the empty cash-registers, seemingly saying ‘there’s nothing here’ while lighting the wares.

Every car we pass has a brightly lit dashboard that’s announcing the route or the currently playing track. The mid-80s music playing from the easy-listening station is more alive at this time of the morning than it’s been at any point since it was originally heard 30 years ago. There are a couple of people at the bus stop; their faces lit by a combination of the countdown screen announcing the next arrival and the faint glow of the mobile screen. The white headphones suggest music accompanies their journey too.

As time ticks by we drive in the opposite direction to the arriving bus. It’s empty now, I can see the security screen taking a continuous picture of unoccupied seats. I know the automation will be announcing the stops to nobody except the driver. I wonder if she’s listening – checking she is running to timetable – or if the repetition of the ‘next stop’ and ‘stand clear of the doors’ has rendered her deaf to the voice.

We speed past a group of young people; laughing. Those of us that remember that mid-80s music the first time wonder if they’re coming home or leaving for the day. Where do the pretty young things go at this hour in the middle of suburbia? The idea of an early-morning house party seems at odds with the neat driveways and solar-powered garden lights of this part of town. I see the smiley face of the speed-check sign showing we’re travelling within the allowed limit: the language of the smiley and the emoji is more from their generation than mine yet the sign is aimed at me. A digital sign-face that provides a reminder that, even in dawn’s first light, the machines are still watching us.

And through the tunnel to the airport: a tail-back of traffic through a strangely uniform light beneath the ground, emerging, after just a few minutes, into the crisp, bright morning light. The sleek glass buildings reflect the early morning rays as the morning finally wakes. Yet the purple glow of the airline’s colours can still be seen high in the vaulted entrance through which I pass into a different world. For the next few hours it could be day or night. Inside the terminal it can be hard to tell what time the sun-dial might show, but, finally, time has passed and we board. For once there’s a blue and cloudless sky through which we climb, seemingly, towards the burning, never dimming, rays of the sun.

This day is newly born.

Trusting Technology: Programmatic Advertising and Digital Locks

Do you trust a digital lock? Do you trust programmatic advertising? Did anybody ever believe anybody would write that sentence?

Sermon Of the Last Sunday (#SOLS) was introduced with on-target delivery: the 2017 Reading challenge and the first Japan retrospective. Then I got the calendar wrong – thought March had an extra Sunday – and now find myself writing March’s installment in April. But that’s a technicality and I’m not letting myself get too concerned with that level of detail. But what to write about?

Although I vowed not to write too much on this site about the technology of digital advertising, it seems that industry news in March is worth mentioning. If I was still writing those ‘Last Week in Digital Advertising‘ round-ups then I’d have plenty of material. What made this month’s headlines big was because the news involved Google. And they always make a good story (and then they’ll index it and let you find it again too).

Google may be known to most people as the search engine and YouTube-owner but it’s also one of the biggest advertising businesses in the UK. Last year eMarketer reported,

Google will net £3.80 billion … in ad revenues— accounting for almost 40% of all digital ad spending in the UK ¹

So, you know, huge.

Today, advertising is much more complex than it used to be. The basic premise of advertising hasn’t changed: an advertiser with a product or service to sell or promote wants to get a message in front of a lot of, hopefully, the right people. Somebody with an audience (generically, a publisher) pays the bills by selling some space to the advertiser (be it in print, sound or vision). In Britain, it’s been this way since the 18th Century.²

Digital Changed Advertising

But digital has changed everything else: advertising of all types is easier to buy for many more companies; there are thousands – if not millions – of smaller publishers where people spend time and the so-called ad-tech industry has developed hundreds of new technology ideas that sit between the advertiser and the publisher (so many, that the world they inhabit is known as the Lumascape, after the company who tries to plot them all). This Lumascape uses technology to make the process of buying and selling across so many different places both easier and more efficient by automating as much of the process as possible. Increasingly, this automation means that the advertiser (who is the buyer) relies on a machine to decide where to buy. Publishers, both old and new, connect their advertising business to these automatic buying machines in the hope the advertiser actually spends money with them. It’s a process that’s been termed ‘programmatic advertising’.

The problem for many advertisers and publishers is that the details of ‘programmatic advertising’ are something of a mystery: for the advertiser they can’t be 100% sure where their advertising will show up and for the publisher they can’t be 100% sure who is advertising on their sites.

Technology Trust

Do you have a connected digital lock on your front door? My guess is that for the odd person that reads this, the answer will be no. Technology has not gained sufficient trust. The problem is, in the modern advertising world, the technology struggles to gain trust from all sides of the market but most people still have to use it. Advertising can no-longer stick with the old-fashioned key; it relies on the digital lock.

And that strange metaphor brings us to the first big story in March’s digital advertising news:

16 March: Guardian pulls ads from Google after they were placed next to extremist material (The Guardian)
17 March 2017: UK government pulls ads from YouTube in extremist content row (New Scientist)
20 March 2017: Google boss apology as more firms suspend ads over hate videos (Sky News)
23 March 2017: Verizon, AT&T Added to List of Companies Suspending Google Advertising (Investopedia)
28 March 2017: Telstra joins global YouTube boycott as toll mounts on Google (Sydney Morning Herald)

The issue is easy to explain: there’s more and more Internet stuff that people are reading and watching and there’s almost no way for a human being at one of the big advertising companies to have vetted everything out there. And, because the machines have taken the job of deciding which advert goes where, we need to trust the machine to do the right thing. And sometimes, they mess-up. And, occasionally, they mess up in a very big and public way like this.

The issue is complex for advertisers: companies need to be seen where their potential customers are but, in an increasingly fragmented media world, that means that they sometimes end-up down the wrong alley shouting that you should buy their stuff.

The issue is complex for publishers: they have lots of content produced around the globe and submitted by both professionals and the rest of us. And they need to earn money from as many advertisers in as many places as possible and that money isn’t a big enough pot to pay somebody to check every word or second of video. As the BBC’s technology correspondent said,

There are two difficult issues for Google here: spotting videos that are illegal and should be removed from YouTube; and determining which are legal but not suitable to carry advertising.³

The issue is incredibly hard to fix: I can’t imagine the world will go back to the Mad Men era where the buyer and seller not only both know each other and eat a lovely lunch together, but also play golf, go and get drunk in a downtown bar and take each other on expensive ‘days out of the office’. One decision the machine never has to make is if it should be a green olive or a twist of lemon peel in the Martini. Those things will all continue as long as the humans are involved but it represents much less of the advertising that is bought and sold today.

Google hasn’t been singled out here but they are the top story for a couple of reasons. First, advertisers found their ads in the wrong places where they knew Google was responsible. This is reasonably important because, in some cases, the middle men of the Lumascape are so intertwined and wrapped up in a programmatic advertising mystery that the advertiser doesn’t always know which technology provider to shout at. And, secondly, as I already noted, Google is big so it impacts a lot of advertisers and a lot of money. Thirdly, Google also makes headlines which means we all notice and people like me get to write 1383 words on the topic. But, as much as the industry might wish Google to take the heat; the issues raised apply to almost everybody involved in making machines buy & sell advertising.

It’s Really A Story About Machines

The advertisers that have taken a stand against Google and other forms of programmatic advertising will come back. Perhaps, their agencies will pay a little more attention to the technology and the controls that are available today. The publishers will do a better job of classifying the content so that it’s a tiny bit easier to spot the places where they should not be running advertising.

But, in the end, it will continue to be about the machines. The automation of traditional roles is increasingly common; the removal of some of the people in a process is not unique to advertising (this is just today’s biggest story). The machines will get trained a little better and become a little smarter in managing all this in the milliseconds they have to make a decision. But in advertising, as in many areas, the machines are here to stay.

Perhaps it’s good news for real people. The machines have a lot to learn and, until they do, we’d all be wise to reconsider if we should be using a digital lock or just going for a drink with the local locksmith.

#SOLS

I didn’t even get to the other big digital advertising story of March. Maybe that’s already material for another Sermon.

Footnotes

₁ UK Digital Ad Spend Will Continue Double-Digit Growth in 2016, eMarketer, 28 September 2016
₂ History of Advertising in Britain, Wikipedia
₃ Google’s crisis of confidence, BBC

And She Said, “Life in plastic has been fantastic”

But really, the job I’d really want, is writing the answers to the daft questions people ask.

Earlier, on Facebook:

Voice recognition systems – Amazon’s Alexa or any other – must be one of the most fascinating areas of computing to work on. There are a lot of very smart brains working on artificial intelligence systems that enable Alexa to answer the millions of questions asked of her every day.

But really, the job I’d really want, is writing the answers to the daft questions people ask. “”Alexa, what’s the first rule of Fight Club?” or “Alexa, do you really want to hurt me?” Anybody who job means they get to write “.. and happy birthday to Barbie whose life in plastic has been fantastic for 58 years” must be having a blast.

Mashable has a story today about a woman who asked Alexa about any connections to the CIA – at which point the system appears to crash. Obviously proof that all conspiracy theorists are correct.

The person with that fun job was swift off the mark. Now, somebody’s waved their neuralyzer & Alexa’s been updated and claims to work for Amazon. If it was me, I’d update Alexa’s sense of time and stop responding to my happy ‘good morning’ at 10pm with an equally up-beat ‘good morning’ and make her grumpy and tired.

Or maybe that would be a bit too human.

Japan: Final (Food for) Thoughts

One of the amazing things about Japan was the food. And such a variety of tastes and styles. Oh, and the rice.

Japan: Food for Thought

Each day I looked back through the photographs I had taken and tried to find one that summed what we had seen or done. Some days that was very easy because the day had a big goal – the Mt Fuji visit, for example – but other days it was much harder to select a single picture that summed up the visit.

Looking back over the collection, however, I see that it’s a nice overview of our trip. However, there is one major element missing: food. I have not captured the variety of amazing meals that we had. Japanese cuisine was definitely one of the highlights of the trip; no wonder it has been given UNESCO heritage status in order to protect it from the onslaught of western dishes and fast food chains.

From conveyor-belt lunchtime sushi to a high-end fish-market fresh version; from teppanyaki (accompanied by a Japanese improvised comedy show) to high-end tempura and soba noodles, ramen, sake & delicious wagyu beef. In the UK it would all be in one restaurant labelled ‘Japanese’ but each place we visited specialised and was delicious. There were no bad meals, most were incredibly cheap and service was outstanding.

Breakfast seemed the most different to my British palate: fermented soy beans, dried and grilled fish, pickled things of all sorts (labelled vegetables but I wasn’t always sure) and dried seaweed and all served – like every other meal – with white rice. I never saw another type of rice and didn’t really get an answer as to why it was always steamed white rice alongside every meal.

I can’t wait to return to try more.

—

My Japan restrospecive (so far) is available in two earlier parts: Tokyo and Kyoto.

Japan Vacation Retrospective Part 2: Kyoto

A second collection of words and pictures that sum up my 2017 visit to Japan. In this part, I get to ride the bullet train.

Yesterday, as part of my #sols project, the sermon was the first part of my personal Japan holiday retrospective which covered my initial week in Tokyo.

If going to Japan had been a goal of mine for many years; riding the bullet train was a second aim and was a real highlight of the trip (even though you are really quite oblivious to the fact that the train is travelling at 162mph). That train, or Shinkansen as they are known, is part of a high-speed network that covers the country and runs – almost exclusively – on dedicated high-speed track. As a consequence trains are not delayed by other kinds of rail traffic and, generally, run to time. The phrase ‘to time’ Japanese-style seems to mean to the exact minute rather than the rather looser British version meaning ‘within five minutes’.

The Saturday lunchtime train took us to Kyoto for the second part of the Japan experience. We returned to Tokyo to spend the last day at Tokyo DisneySea; which really is a very different world.

Japan Vacation Retrospective Part 2: Kyoto

Photo of Day 7: Hikari Shinkansen: Bullet Train

I love travelling by train. There’s something inherently fascinating about locomotives, carriages, tracks and the networks that are formed from these things. So, I’ve always wanted to ride on the world’s original high-speed network: Japan’s Shinkansen. It’s amazing to think that trains that could reach speeds of 130 mph were introduced back in 1964 for the first Tokyo Olympics. I measured 162 mph today on the Shinkansen to Kyoto. Who knows what speeds they’ll reach for the next Tokyo Olympics in 2020; a line using maglev technology is already under construction and maglev trains have set the world record at 375 mph.

We rode the Hikari service on the Tōkaidō Shinkansen which runs through to Shin-Ōsaka & Okayama and is, apparently, the most heavily-used high-speed train line in the world. Hikari is the fastest service that accepts the Japan Rail Pass (which makes using Shinkansen much more affordable) so we lingered at some stations while faster Nozomi services passed on the dedicated high-speed lines. Amazing to think that the only thing that could delay our train was an even faster train. No delays on Chessington South stopping services or leaves on the line here.

But the running speed isn’t the only fast things about the trains. The turnaround time for our train today was less than 15 minutes after the set had arrived into the platform at Tokyo central station. Waiting patiently at a space for each door was somebody to clean, turn all seats 180 degrees to face the direction of travel and place new headrest covers on each seat. The efficiency of the teamwork is a sight to behold. The bow to the boarding passengers a pleasing part of the culture.

Apparently, Shinkansen changed the way business was done between major Japanese cities by making day trips possible where they hadn’t been practical before. I wonder if we’ll ever see similar between London & Scotland?

Photo of Day 8: Fushimi Inari Taisha

A Shinto shrine houses the spirits that are worshiped in the religion. As well as the dead, the spirits could be forces of nature or elements of the landscape. There are many sub-words for Shinto shrines in Japanese but the English language only has the one.

At the base of the Inari mountain is the Inari shrine; Inari being the spirit of commerce and industry (and also of rice). There’s a 2 hour hiking trail up the mountain, from the base at the main shrine, where you climb up through thousands of orange Tori that have been donated by Japanese businesses. On the accent the gates posts appear bare orange but on the decent you see the names of the companies that donated the Tori. It’s quite simple but also remarkably clever. I don’t know if it works as advertising or not.

Conveniently located near a railway station, this temple gets busy. But as you climb the crowd thins out. There are hundreds – maybe thousands – of small shrines on the way up. And a few shops and resting places. We made it about an hour up before deciding that we should head down to see some more of Kyoto.

In a city of temples this one really stands out.

Photo of Day 9: The Way of Tea

If my memory serves me well, you should brew a Yorkshire Tea teabag for between 4 and 5 minutes. You can leave it in the mug infusing until it’s a good strong ‘proper brew’. At work, I use the timer on my watch to make sure I brew for enough time otherwise it’s too weak and somewhat pointless.

Not so with the Japanese Way of Tea which takes a good ten minutes of ceremony to get to the first cup, and is served without milk or sugar but, generally, with some kind of sweet food immediately before the drink.

Using the Matcha green tea we’ve been enjoying throughout our trip, The Way of Tea is a quiet, thoughtful process of precisely using the tea-making implements (linen cloth, tea bowl, ladle, caddy and the whisk) to prepare the perfect cup (70 centilitres of water at 80 degrees Celsius). Apart from memorising the correct sequence and placement of the utensils, whisking the Matcha powder with the water correctly to prevent bitterness is a real skill.

Hanging scrolls and flowers decorate the room and the host, perfectly attired in traditional kimono, pays respect to both the tea and the invited guests who, in turn, reciprocate with appropriate bowing. Apparently, following the preparation of the tea there’s polite conversation where controversial topics are avoided and the chatter is more about the heritage of the tea-making equipment.

Mastery of The Way of Tea, learnt in special schools, can take ten to fifteen years but, in the end, what you get is a beautiful art form and the perfect cuppa.

Photo of Day 10: Ryokan

I was expecting Japan to feel stranger, more alien to me, than it turned out to be. I assume this is because Tokyo is a major world city that exhibits the characteristics of such a sprawling urban mass: and that turns out to be quite familiar. Plus, many of the signs are in recognisable (and, therefore, easily readable) Roman characters and there’s a Starbucks wherever you turn.

Kyoto was a little different; a smaller city with narrower streets, what seemed like a temple on every street and, it seemed, more people in traditional dress. It was also the place we stayed in a more traditional Japanese Inn, a ryokan. Although I think the one we stayed in was straight out of the 1950s rather than 1650, it was simple with a tatami-matted room, public bath and basic facilities (if you count air conditioning and wifi as basic). Sitting on a cushion on the floor, sleeping on a mattress rolled onto the mats & drinking green tea is probably a tourist stereotype but it made for a different way of doing things and was unlike any hotel I’ve ever stayed in. I’d recommend it: even for a few days, if your knees can cope.

Photo of Day 11: Disney Resort, Tokyo

When planning the Japan trip, there was a full day in Tokyo following the return train journey from Kyoto and before the flight home. Somehow, and I am not sure I recall how we came to this decision, we decided to visit the Disney parks in Tokyo.

In many ways this was an odd thing to do. Disney is the undisputed global king of the theme park but, surely, the experience is identikit and it would be a waste of a day that could otherwise have been used for more authentic local experience.

In the end I am glad we did. Aside from being quintessential Disney there are some subtle differences that we would have missed if we’d done something else. Plus, of course, it’s a theme park with enough rides and queues to fill several days.

There are two parks, Tokyo Disneyland, which I imagine is from the ‘how to build a Disneyland’ manual. And the nautical-themed Tokyo DisneySea which, according to its Wikipedia entry, was the fastest theme park in the world to reach the milestone of 10 million guests.

Apart from the fact that Disney doesn’t have another park like this one (although many of the major attractions do appear in other places), the most subtle difference can be seen the enthusiasm of the guests for all the Disney characters; for some reason I noted a lot of Donald Duck fans. And this is from visitors of all ages. It would be natural to expect the kids to jump with joy with an unexpected Chip & Dale encounter but not so much their fathers. Almost everybody was wearing a Disney character about their person; there’s a factory somewhere churning out thousands of pairs of Mikey ears for each day. And what makes it most interesting is that the enthusiasm is infectious. It really is a happy place.

A fun ending to an amazing trip.

More Japan

The first pictures from my trip were posted yesterday. I think there’s another couple of Japanese posts: a summary and my Instagram pictures. All to come.

A Visit to Japan

Bringing together my impressions of Japan in words and pictures: the first week was spent in Tokyo.

Looking at the calendar I see we are already at the last Sunday in February which means it’s time to fill your timeline with the hashtag #sols once more: Sermon Of the Last Sunday. It’s my attempt to write something new each month on my site (although, a few days ago, I felt the need to write Will The Internet Kills Television?).

Apart from fulfilling my #sols need for February, today I am also keeping my personal site commitment of maintaining a copy of things I post elsewhere. Two #sols birds with one #sols entry.

At the end of January I took a holiday in Japan. Japan, and particularly Tokyo, was a destination that I have always wanted to visit but it’s taken until this year to get there. I was not sure what to expect: would everything seem radically different from life in London or would it maintain the familiarity of a big city?

As always when on holiday, I took a lot of photographs. Increasingly, these are taken on a phone which is both portable and has many other uses aside from pictures (in Tokyo, having constant access to Google Maps was enormously helpful when trying to navigate a big city). Having all the photographs accurately time and geo-stamped on a device which makes uploading easy is another significant advantage.

I decided that each evening I would review all the pictures I’d taken and post a single image that summed-up the day to an album on Flickr. It’s a little Japan vacation retrospective. I also decided to post a different kind of picture each day to Instagram. Combined they might make a small, but hopefully interesting, summary of the visit for me to remember and for others when researching Japanese holidays.

I’ll post the Instagram pictures later in the week but this is my Japan collection. However, I am dividing the pictures into 2 parts. Week one was primarily Tokyo and the second week was Kyoto.

Japan Vacation Retrospective 2017: Tokyo

Photo of Day 1: Godzilla through the years.

Movie posters in the lobby of the Hotel Gracery, Tokyo. There’s a large Godzilla climbing the outside of the hotel.

Photo of Day 2: Meiji Shrine in Shibuya, Tokyo.

A torii, or traditional Japanese gate, at the entrance to the Meiji Shrine in Shibuya, Tokyo.

This Shinto shrine is dedicated to the spirits of Emperor Meiji and his wife, Empress Shōken.

An amazing forest of 120,000 were donated by people from all across Japan when the shrine was built.

It’s simple, peaceful and very relaxing. There is beautiful simplicity to the architecture and the more religious customs.

Photo of Day 3: A robot at Robot Restaurant, Shinjuku.

For some reason whenever I think of Japan I think of robots doing useful stuff. We haven’t found any of those yet but we have found the most bizarre cabaret show, The Robot Restaurant, where the hostesses walk around the room – boxing ring style – with signs asking you to turn off your Bluetooth and wifi enabled devices for fear of interference with the controls for the show.

Ironically, most of the ‘robots’ are people in costume but there are some remote controlled participants in this video-game inspired 90-minute strobe-lightathon. There are no words to describe the craziness which seemed entirely appropriate in this neon-lit district of the city. After the Robot Restaurant’s bought what it needed, the fact that there’s any neon left for the other venues is really a modern day miracle.

Photo of Day 4: UNESCO World Heritage Site, Mt Fuji

Standing 12,388 ft, Mt Fuji is the highest peak in Japan; a World Heritage Site and, apparently, still classed as an active volcano. It’s snow-capped peak has become a symbol of Japan, which I imagine, is something of what makes it attractive to hikers and climbers. According to our tour guide the climbing season starts in July and officially ends in September but he wasn’t recommending anybody attempt it after the end of August. Given we were all quite happy in our heated, wifi-enabled coach, I’m not expecting to see any of my fellow tourists climbing next season.

We got got as high as 2020m (of the 3776m which make up the aforementioned 12,000 or so ft) before the road was closed due to recent snow falls. Still, the air was crisp, the sun was out and you could see the peak. It’s quite an impressive sight, although at the 4th station it’s the surrounding peaks you’re looking at rather than the one immediately above you.

There also seems to be an annual photographic competition which might help explain the abundance of stunning images of the mountain on the internet, as well as the large number of people carrying tripods & camera bags around the tourist locations.

My picture may not be up there with the greatest but it’s all mine. Taken at the first tour-stop, Lake Kawaguchi-Ko, one of the “five lakes”, it was our first proper Mt Fuji sighting. When they said you never forget your first time, perhaps it was views of Mt Fuji they were talking about.

Yes, I’m sure that’s right.

Photo of Day 5: Tokyo Imperial Palace Tea House

Covering an area of 1.32 sq miles the space was, during the height of the 1980s Japanese property bubble, valued to be worth more than the sum of all of the real estate in California. So, it’s decent bit of land to own. It is the main residence of The Emperor of Japan as well as home to a bunch of the kind of administrative offices needed by the ceremonial head of a nation.

Unlike, say, Buckingham Palace which you can stand in front of and photograph, it seems quite difficult to get up to The Emperor’s front door. There is some kind of limited daily tour – conducted only in Japanese – that visits some non-public areas but I can’t tell you about it because we didn’t do it.

However, the East Gardens are open to wander around and are a fascinating collection of horticulture, including areas given over to cultivating roses, tea, bamboo and a plot of land where trees representing each of Japan’s 47 prefectures have been planted. There’s an area called Cherry Blossom Island which, I imagine, will be amazing in a few months. Surprisingly, at least one tree was in bloom but it stood out against the bare winter branches of most of the plants.

Towards the end of your wander around the gardens, if you follow the route suggested in the free map (and why wouldn’t you?), there’s a 18th century Japanese garden complete with running water, pool and wooden bridge.

Around the gardens there are examples of guard houses, a museum and a beautiful example of a tea house (pictured). There’s also a late 1960s concert hall and buildings named Gakuba and Shoryobu on the guide (which house some of the aforementioned administrative offices; for the Music Department & Archives Department).

All-in-all, a place of beautiful, traditional tranquility in the heart of modern Tokyo. Open from 9am if you’re interested.

Photo of Day 6: Tsukiji Fish Market, Tokyo

Some reports suggest that Tsukiji Fish Market is the largest wholesale seafood market in the world. I can’t vouch for that but it could take several hours to walk around the stalls of all the intermediate wholesalers. Although, as a sightseer, you don’t get several hours. The inner market is open to tourists from 10am, by which time most wholesalers are packing-up & the professional buyers have taken their fish away to be served-up across the city. That’s not to say there’s nothing to see; just most of the selling is over for the day.

If I was being strictly accurate, the market is open to 120 sightseers from about 5am if they were to have queued through the night to see a portion of the frozen tuna auction. Our guide wholeheartedly recommended not bothering and, anyway, you can’t watch the fresh tuna auction. I’m not entirely sure why.

Apparently, we were lucky to see the market in it’s current (post-1923) home: a move to a more modern facility that should have happened last November has been postponed. Cue local newspapers running “something fishy” headlines.

We took a tour of the market with local food writer & guide, Atsushi, the Tsukiji King, and I’m very glad we did. Tsukiji is a fully functioning fish market, complete with high-speed delivery vehicles & special band saws designed to chop huge chunks of frozen tuna. It’s not a place you’d particularly think to enter as a tourist so a guide proved especially welcome as I don’t think we would have wandered the warehouses alone. Atsushi showed us the inner & outer markets, explained the selling process and provided a guide to all the food paraphernalia that’s also for sale in shops around the area. I’m continually amazed by the pieces of plastic sushi that are mainly used by restaurants to show-off their ‘dishes’ in their windows.

There was the added bonus of using an expert guide; he recommended the most amazing sushi place for lunch at the end of the tour: every piece hand-made in front of you from the very freshest ingredients. I thought I’d eaten good sushi before but now I know differently.

More Japan

The second part of my Japan 2017 Retrospective (pictures from Kyoto) will be uploaded tomorrow but you can review all the pictures right now in my Flickr Album.

#SOLS

Sermon Of the Last Sunday is my attempt to ensure that there is something published on my site very month in 2017. You can read about my attempts to force myself to write or my first post of the season (which is another challenge) in which I decide read a book every month this year.

The full #sols collection has a handy site tag, sols.

Will The Internet Kill Television?

An article in The Economist prompted me to think about how television has changed in my lifetime and why it’s taken a little bit of time for it to be threatened by the internet.

In my lifetime being connected to an always on computer network, the internet, has changed almost everything: from what you for a living; how to file your tax return about that employment and how your order form your local takeaway when you get home. Some things seem to have radically changed very quickly. When I first started working on digital advertising with major UK publishers, editors held-back news stories for the printed edition (next month) rather than post in today’s online news. I guess, they’re now tweeting it for themselves first as there’s no printed edition of many of those publications any more.

But, will the Internet kill television in the UK?

Television has behaved a little differently. When I was born there were only 3 UK television channels and not everything was broadcast in colour. Fast forward to when I was 12 and the Whiteley-Vorderman duo hosted, effectively, the first programme (Countdown) on the fourth channel. It was a slow and highly regulated evolution.

As with everything, over then next 30 years the pace of change increased. The UK went through the dish wars with the Sky-BSB years (check-out these BSB promos promising five channel television: they feel very dated indeed now) and a fractured cable industry only really came to be a player with the merger of NTL and Telewest in early 2006.

I guess it was February 2005 when video on the truly internet arrived (YouTube launched) but I think you can be forgiven for looking at the media landscape back then and thinking the internet was primarily for the written word even if, within 2 years, Netflix was launching a DVD streaming service. But the internet develops video models for business very quickly. Just this week, YouTube announced it will stop supporting the 30-second unskippable advertising format that has been the backbone of broadcast TV for decades. Can television continue to hold on to that model?

A couple of weeks ago, The Economist ran an article that explains some of the economics of television and how they are changing.

The internet has already changed what viewers watch, what kind of video programming is produced for them and how they watch it, and it is beginning to disrupt the television schedules of hundreds of channels, too. But all this is happening in slow motion, because over the past few decades television has developed one of the most lucrative business models in entertainment history, and both distributors and networks have a deeply vested interest in retaining it.

Television’s $185bn advertising business is a hefty war-chest to fight the challenge of change. I wonder how it will look in five more years? Will it be radically different – in the way printed media is now so different – or, like its broadcast parents, will television for the internet continue a slower evolution?

I also wonder when my own habits will change. When will I consume more content delivered via the broadband connection than over the broadcast air? It can’t be that far away.

A Reading Challenge for 2017

I made a simple resolution as we went into 2017: I would drink an extra small bottle of water everyday to improve my hydration. So far, that one is working. Back in December I also decided that, on the last Sunday of every month, I would write something for this site. It wasn’t really a resolution, rather an updated version of the Blog Every Wednesday in August task I set myself a few years ago: the idea was to write something here to make paying for the hosting worth it. This new commitment was given the title “Sermon Of the Last Sunday”. As with all things these days, there’s a hashtag #SOLS. See if you can work out which came first: the series name or the hashtag.

Also at the end of last year I set myself a Goodreads challenge to read 12 books in 2017. This shouldn’t be the hardest commitment as it’s just one book a month but, if I succeed, I will end up reading more than I did last year. There are plenty of people that inspired me to try this challenge (which you can follow on Goodreads) but, possibly, I made my decision after reading Bill Gates’ favourite books of 2016. He manages an eclectic list of recommendations. I hope to have as diverse a range of books on my ‘has read’ list by the end of the year.

More recently, Entertainment Weekly published a list of Every book Barack Obama recommended during his presidency. Another eclectic, and inspirational, list. Seriously, if he can be such an voracious reader and run America then I can read 12 books this year. As Bill Gates says,

Still, reading books is my favorite way to learn about a new topic. I’ve been reading about a book a week on average since I was a kid. Even when my schedule is out of control, I carve out a lot of time for reading. [source]

So, when trying to come-up with the first SOLS entry I thought I’d review one of the books that ended last year. It was the book I was reading when I read Bill’s list; it was fascinating and a little hard-going at times but it took me out of my daily commute and made me think about something else. Which, I think, is something a good book should do. I have reviewed books here before, and I am not sure I will attempt to review all 12, but it’s such a well written book I’d recommend adding it to your own reading list.

I’m grateful to the staff of Waterstones in Chichester who persuaded me that this was a book worth reading as I was browsing their store at some point last year. I don’t often spend time just wandering book shops but there was an opportunity and I took it. I’m very glad I did.

Skyfaring: A Journey with a Pilot

For some people, a job takes you to the same place each day, surrounded by colleagues who you see daily and get to know over time. Not quite so for pilots, especially those flying long haul, where the variation in crew is almost as changeable as the constantly altering view from the cockpit.

Mark Vanhoenacker, a British Airways 747 long haul pilot, writes about flight through series of chapters documenting the experiences of moving from one part of the world to another with chapters such as Place, Wayfinding, Night and Return.

It’s not a biography of a pilot, a technical guide to flying nor a travelogue rather it’s a rhapsodic love affair with flight and all it involves and, so, it’s a little bit of all those things put together with some beautifully written, almost lyrical, prose. Don’t expect a chronological guide to flight but a collection of chapters that take their subject and describe the experience from the complex to the minutia; written from a vantage of someone obviously captivated by the charm of flight.

The style is vivid and descriptive, but the detail of the language can sometimes make reading it hard work. Don’t let that put you off because it’s worth a little perseverance to get close to understanding why the experience of flight it both magical and disorienting at the same time.

Footnotes

Skyfaing, A Journey with a Pilot, available at Amazon.

Hashtag for a new generation

There was a pivotal moment for the world in August 2014 when, for the greater good of humanity, I introduced a new hashtag. #BEWA (which stood for Blog Every Wednesday in August) improved the lives of, literally, no people. Ever since, I have managed to continually reference it as an internet sensation. If there was a definition of Fake News that could be it (but probably isn’t).

Lazarus-like, #BEWA emerged from cryogenic storage in August 2016. In many ways, last year’s version was even less successful than the original incarnation. Apart from — if it’s even possible — improving the lives of even fewer than zero people, the major structural failure was a lack of Blogging Every Wednesday in August. There was an inquiry. Experts were consulted. A report could have been written but, given that a lack of writing is the core #BEWA problem, it wasn’t. There might have been outrage in a daily newspaper but it’s unlikely. Still, an imaginary voice cried, “won’t you think about the children” and, not only did I know that something had to be done, I knew I was the only person who could do the thing that had to be done.

It’s clear to me now, on this the first day at the beginning of a new ~~era~~ year, that what the internet needs most is more words. There is a distinct lack of anything to read on the internet. If I were really making predictions for the year I’d clearly be calling into question the lack of reading material; I may even go as far as suggesting there’s a shortage. I’m sure there’s a UN sub-committee meeting on the issue right now. Each day I can hear you cry, “what can I read today: give me words”.

And that is where #BEWA Mk2 comes in. Radically re-engineered and improved for a new generation that’s (at least) 5 months more sophisticated than the last.

If you appreciated reading about stars of Australian television shows or wise advice on how to write the perfect technology RFP that allows companies to better work with you; if you care about an Olympic legacy in London or my personal fascination with location data then, oops, you’re in the wrong place. You needed #BEWA.

But BEWA is gone. You need to buy a black tie and throw the rose on the coffin alongside the other mourners (if you can find any). Generation Now care about #SOLS.

Introducing #SOLS

Yes, it could be the SOLutionS to BEWA’s problems but it’s not. It certainly nothing a smart as the School of Life Sciences and it’s only been to Canada on holiday, so fans of the Southern Ontario Library Service shouldn’t get over excited. No, the elders of this parish present “Sermon of the Last Sunday”.

It’s not a goal nor is it a new year’s resolution; it’s bigger. #SOLS is a mission, a calling; a vocation that will be approached with the proper rigour such an undertaking deserves. Yes, on the last Sunday of every month I’ll write something and post it here. Gone is the need for a mid-week rush: Sunday deserves thoughtfulness and dedication.

I trust you’ll set an alarm and join me for this 12 month experiment that’s going to solve everything. Yes, everything*.

See you in 4 weeks.

Footnotes

* If I had employed an army of legal experts to review this entry they would have removed all the good stuff and made me say that nothing will be solved by #SOLS. Use at your own risk. Might cause sunburn. Your home is at risk etc. etc.

Elsewhere: A Sticky End

Maintaining the tradition of ensuring a copy of things I post elsewhere are also saved here, earlier today I posted on Facebook about the branding of a company I used to work for:

If the sponsored posts on Facebook are accurate, sometime in the next 24 hours the brand name of a company I used to work for, StickyADS.tv, will disappear as it becomes more fully part of its new parent, Freewheel. Or something like that. They don’t tell me the details.

I spent 18 months working for them as the business grew from one that was primarily focussed on France to one that expanded to Europe and, as I was leaving, an office opened in New York to address the needs of American customers. Earlier this year the company was acquired by Freewheel and, I guess, this is the next part of the coming together of the businesses.

As the StickyADS.tv brand is phased out, and having seen the sponsored post almost every time I open my Facebook app, one thing really struck me that I never truly appreciated during the period I was working there: how well the branding works and how expertly it is used. I don’t recall exactly when the current look & logo were introduced but it’s executed consistently well across all channels. From exhibition stands at major events, to laptop stickers, corporate videos or company presentations there is a consistency that you don’t see that often outside of the biggest companies.

Attaching the logo to the wall of the London office, while levelling the letters and managing the spacing, caused much hilarity for Greg and me in the summer of 2015.

Somewhere, I hope, there’s a cupboard that holds copies of the adtech brands that have disappeared over the years I have worked in this industry (“Engage: Like Never Before,” anyone?). If there is, I imagine the last StickyADS.tv branding will a shining beacon in the vast sea of logos that are no longer in use. I can’t even write the name of the company without automatically capitalising the ADS portion and including the dot-tv; I can’t recall how many times I was reminded about that.

No doubt, today, there’s a larger team of people behind it but Marie should be really happy with all the work she — and all the marketing team — have done to build and represent a brand.

Good luck, Stickers, with the next phase of your adventure.

FreeWheel Acquires StickyAds to Build Full-Stack Programmatic Video Markeplace