Note To Self: Configuring TuneIn for JemmOne

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>> OK, Jon, skip the ramble and give me the instructions

Neil and Debbie at Breakfast

Breakfast radio is an odd thing. Presenters, competitions, cheesy gags and music become part of your daily routine and when something changes your day doesn’t seem to start quite right. I would wager psychologists have plenty to say about humans and their routines but I don’t know one to ask.

There was sadness back in January when Neil and Debbie, aka N-Debz, left the airwaves with just a day’s notice as QSoft, the folks behind the Gaydar dating site, closed their digital radio station – Gaydar Radio – to go, well, dating. There’s been an online following – mainly on Twitter and Facebook – waiting to see where this duo, as well as the other presenters, would return so that mornings would be restored. Today, after a couple of weeks notice they reappeared on an internet-only station, Jemmone.

Putting together a radio station in such a short period of time can’t be easy and, sure, there were a few teething troubles this morning – the stream was a little unreliable and possibly overloaded – but I’m certain they will be gone in a few days. Of course the most important thing was that morning’s just got better.

I imagine internet-only radio is just as complex a beast as broadcast radio to build and run but listening to it, especially in the mornings when you’re used to your alram-radio waking you, is actually pretty complex too (and much more complex than a broadcast equivalent). That’ll be the subject of another post, I’m sure.

Part of the shaky start for JemmOne this morning was due to the fact the audience appeared to only have one way to listen: via player in a browser. But that player – although reputedly HTML5-based – wouldn’t play on iOS devices, amongst others. A web-based player is difficult to set-up as a alarm clock so people figured out the stream details that could be used in iOS apps like TuneIn Radio (which features an alarm) or on internet radios. I’m using it successfully on my Pure Evoke Flow so my radio’s still coming out of that little box by my bed.

For some reason Jemmone didn’t actively publish the details of that feed – I could speculate why but let’s not. During the day the Android app was released and we’re told the iOS app is on the way. I don’t really understand why they haven’t provided instructions on how to listen via other apps until theirs is produced. So, for all those on Twitter asking here’s how to set it up on two common devices.


TuneIn Radio

In Favourites, select "Custom Stream"

In Favourites, select “Custom Stream”

  1. Install the TuneIn Radio app if you do not have it
  2. Don’t bother browsing for Jemmone: at the time of writing it’s not there
  3. Navigate to the ‘Favourites’ section (hint, it’s the heart at the bottom of the screen)
  4. Click ‘Add new custom URL’
  5. Add the stream address http://radio.jemmone.com/ (the http bit seems to be important here)
  6. You may find, after typing the address, it appears to find the stream and can be selected
  7. Select ‘Custom Stream’ and, after a few seconds, you’ll be connected
  8. Once it’s playing, you’ll probably want to save it as a favourite so you can get back to it

 

iTunes

You need File > Open Stream

You need File > Open Stream

  1. Open iTunes
  2. Go to ‘File’ in the menu bar and select ‘Open Stream’
  3. Add the stream address http://radio.jemmone.com/
  4. To find it again, you’ll need to look under ‘music’; I’ve never been quite sure why streams don’t appear to be saved under ‘radio’

A More Personalised Radio Experience Is Getting Closer

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One of the most infuriating things about modern smartphones (and, more specifically, the apps that you download to them) is their constant need for love and attention by way of an endless stream of updates. It’s not really a problem the G20 leaders are keeping themselves awake at night thinking about but those little icons drive me insane (and I am fully aware some phones allow apps to automatically update but I refuse to engage in that whole ‘best smartphone platform’ nonsense).

So, yesterday I went through another round of updates. Rarely do I pay attention to the ‘release notes’ given that the usual excuse for consuming the bandwidth is ‘bug fixes’ but, for some reason, I did when it came to Apple’s Podcast app.

Apple more-or-less created mass market demand for podcasts in 2005 by including them in iTunes but, in recent years, the format has appeared to have lacked much attention from them; on i-devices they were spun out of iTunes into their own app a little while ago.

I suspect it’s that lack of love that spurred me into reading the release notes. And, in those notes, the first item read,

“Create custom stations of your favourite podcasts that update automatically with new episodes” [source]

Podcast App on the iPhone

Screenshot from my phone

which is accompanied by a lovely image of the ‘My Stations’ screen in the app showing ‘stations’ named ‘Morning Commute’, ‘Kids Shows’ and ‘News’ amongst others (the image here is of my phone, with three customised stations).

Six-or-so months ago I wrote a piece called “It’s My Radio Station” which suggested that, at some future point, I would become my own programme controller by setting some basic rules in an app that mixed music and speech to create a customised radio station (which is wholly different from a customised music stream). I genuinely didn’t think it fanciful then and I think it’s even less so now. Imagine the next iteration of Apple’s app where I can mix an iTunes playlist (from my machine or their rumoured streaming service) with this functionality.

In my earlier piece I suggested the people best placed to develop this are today’s radio stations because they have experience generating the bits between the music (rather than the Spotify-type music-focussed services of this world). So, it’s sort-of encouraging to read that American broadcast giant Clear Channel is trying something along those very lines (of course, I can only report this second-hand not being able to use the iHeartRadio app in the UK). Fool.com reports,

The beauty of Add-Ins is that it’s not just about the local perspective. Add-Ins can be customized. Someone that isn’t hitting the open road may not care about traffic. Someone staying in may not care about the weather. Not everyone cares about local news headlines. [source]

I believe that any radio station with ‘talent’ that is not getting that content out in alternative ways, including some form of regularly updated podcasts (long and short versions), is missing out on a market. More importantly, they’re missing out on an opportunity to learn about how radio will be consumed in the future.

Personalised radio is coming (just as personalised news is already here). I don’t think Apple’s use of the word ‘stations’ can be dismissed but it remains to be seen if it indicates a direction they’re prepared to take. Nonetheless, it could be either new players in the radio space – or an existing broadcaster – who will get there first.

Three things fascinate me about how this plays out. Firstly, will a broadcaster be prepared to take a risk on this kind of development or will it need to come from outside broadcast groups to truly allow people to mix-and-match the content they want? Secondly, given it’s proven people like to time-shift television, is radio content sufficiently compelling and/or useful to put the time-shift effort in? And, thirdly, can audio producers generate a revenue from such personalisation?

Time will tell. But we’re going to rapidly see innovation on this space. I wonder who’ll get left behind?

Elsewhere: The News Bulletin Is Now Mine And I Determine The Running Order

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I opened a dictionary today (by which I mean a paper book). I haven’t done that in a while (no sarcastic comments about spelling, please). I wanted to see what the definition of ‘news’ was and if it was substantially different from that currently published online by Oxford Dictionaries1. It’s not. I think it was pretty similar 20+ years ago when I was a student (and probably the same when the term was first used in late Middle English).

“newly received or noteworthy information, especially about recent events” [source]

Nothing more. Nothing less.

Of course it’s got a bunch of modern associations taken from the world around us: we’re all used to it being presented as ‘today’s top stories’. Is it what Alastair Hetherington determined it was when he edited The Guradian or William Rees-Mogg when he did the same at The Times? Is it what Tom Bradby or Laura Kuenssberg think is news at ITV? Or what Nick Sutton thinks is news on Radio 4′s The World At One? Of course. But it’s much, much more. There’s a lot of information that’s newly received or noteworthy about recent events that doesn’t cross James Stephenson’s (editor, BBC TV News at 6 and 10) desk.

By this definition there’s more ‘news’ than can fit into any existing bulletin, so for the most of the last 311 years (since 1702 when The Daily Courant launched as Britain’s first regular daily newspaper)2 we’ve relied on news editors to determine a priority and pass this information to us via the press, radio or television (yes, I am leaving the town crier out of this discussion).

Today, I came across an interesting blog by John Myers where, when talking about visiting media students he says,

“I always start my sessions by asking students to tell me about the big national news stories of the day” [source]

and is surprised by the silence he is met with. I too was surprised, not by the silence, but the fact that most of the commenters on the piece tend to agree with him and think it’s pretty bad students are not interested in ‘the news’.

Of course they are interested in ‘the news’. Just not ‘the news’ if it’s narrowly defined as the list of stories on the radio, on television or in the press.

So, to me, the silence is not surprising at all because most of the time there are no ‘big national news stories of the day’ that are common to us all (of course, I will concede, there might be exceptions). This is because most of the students he’s addressing have grown up in a world where you create your own news agenda. News no longer needs to be the prioritised list of events from an unknown (except by byline) editor at my local newspaper or radio station nor what Radios 1-6 think nor anything broadcast by a rolling-news television station. Today, across the world, we create our own news running order from Twitter or Facebook or a million other online tools. It’s continuous stream of stories that mixes the global with the hyper-local and the personal.

So I wrote a reply about it (copied below). One subsequent commenter claims he was

“left thinking that Jon believes no-one should be aware of the news in their local area or in current affairs” [source]

which is, of course, not what I am saying at all. But I am saying no-one needs to be beholden to a far off editor to prioritise what’s important news to them. It may be a breaking world story, an interesting piece about the industry I work in or news of a new birth in the family. I think asking journalism students to name recent stories might show they can read/watch/listen but means we’re training (and hiring) people for a way of working that’s stuck in a 300-year-old history of doing things that’s not fit for presenting the news in the future.

The news bulletin is now mine and I determine the running order.

Here’s what I wrote and you can read it in context at News – who cares?

For more-or-less twenty years almost all digital news outlets have offered some kind of news personalisation services whereby I can opt to see news that interests me. There’s a whole generation who have grown up with the ability to determine their own news agendas and not a prioritised list of items from an editor in another city. On most days, do ‘the big national news stories of the day’ really still exist? Isn’t it ‘my big stories of the day’ from a wide range of sources? Twitter is just the latest incarnation of news. Certainly there are lots of issues with the bias of self-selection but they’re only a new take on age-old editorial bias concerns.

Far from making us ‘dumber’ aren’t Twitter and Facebook The News for some people? If I’ve opted to prioritise Formula 1 news or tech stories from Silicon Valley over today’s political posturing over the ECHR (which is front page on the newspaper next to me)3 then I’ve made a decision that’s no different from the editor that decided to pop that story in the paper. Isn’t Facebook’s timeline just news from my ‘community’ (which is what the news was for most people prior to rise of the mass national press in the late 1700s)?

I think if a copy of Metro on the campus of University of Central Lancashire was leading with the Boris/Ken story for the race to be London Mayor then you have your answer as to why students go elsewhere for more relevant news.

Perhaps better questions for your students or job candidates might be what are their news agendas for the day? I bet you’ll find articulate people fully aware of news (just different from your definition of news) and thoughts on alternative ways to package that news to make it relevant. If they can’t name Tim Farron (he’s on page 4 of my paper)4 then the internet exists if it becomes necessary. I see a bleak future for newsrooms that persist with the one-size fits all agenda whereby one person’s idea of the top stories should be the same as mine.

 

Notes

1.My dictionary (the paper one) is twenty years old. I was checking to see if the definition had changed in any way.
2. It’s a somewhat arbitrary date to pick as the point where news agendas are set by remote people/editors. But I felt the first regular daily paper wasn’t a bad point in time to use as a marker. I took the date from here.
3. I’m looking at i (or do we call it ipaper?). It was free this morning from Starbucks. This is the front cover.
4. According to the newspaper sat next to me he’s President of the Liberal Democrats. I wouldn’t have known that had I been tested (even after reading the paper). I just picked it as a random name ‘in the news’.

–

Update

The very next day, as if to help prove that nobody wants a one size fits all news bulletin, I read this (and it made me laugh):

What’s Your Moment of 2012?

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At the end of the year it’s customary to look back: and this year it’s easier than ever. Have you reviewed your Year On Twitter or Biggest Moments on Facebook yet? Last month I posted my 12 of 2012: one photo taken each month in my phone’s Photo Stream. It’s one way to review the year. That came from a conversation where I asked “what moment will you remember from 2012″ and I ended up looking at pictures from the year.

Of course those 12 photographs don’t answer my own question. Normally, I would find answering that difficult but this year it’s easy. There’s one moment that really sticks in my mind from 2012: unlike most years I do not have to think or delve into my memory banks: it’s just there. One moment in – as the cast of Rent might say – “Five hundred twenty-five thousand Six hundred minutes”.

Opening Ceremony RehersalIt’s Monday 23rd July 2012 and I was lucky enough to get a ticket to the Olympic Stadium rehearsal for the London 2012 Opening Ceremony. It was all very last minute but it was a glorious evening in London and I made my way across the city to Stratford and the Olympic Stadium. Entering the Olympic Park and seeing everything ready was a special moment but the best was still to come.

Sitting in the Olympic stadium awaiting the rehearsal we were all urged to #savethesurprise (and that was perhaps the cleverest Twitter hashtag of the year, allowing the audience to use social media and share the moment by using a reminder not to over share). The centre of the stadium had been converted into England’s green and pleasant land (there were 40 sheep, 12 horses, 3 cows, 2 goats, 10 chickens, 10 ducks, 9 geese and 3 sheep dogs are involved). Fluffy clouds were being walked around what, underneath the greenery, was the athletics track. It was tranquil, a little odd and most intriguing.

Scenes of the Olympic Stadium

Rehearsal For The opening Ceremony of the London 2012 Olympic Games

There was a real sense of anticipation as the excited crowd both wondered what was about to happen and, most of all, if we were going to be able to do something that would live up to a nation’s expectations. We knew that most of the 7,500 taking part were volunteers and they’d been rehearsing for months but we’d no idea if London could pull off something memorable. The pastoral scenes in front of us, while fascinating and – perhaps – uniquely British, were not quite a spectacle.

Then about 10 minutes into the event Isambard Kingdom Brunel ushered in a celebration of the Industrial Revolution in a section entitled Pandemonium which lead to the casting of the Olympic rings and one of the iconic images of the games.

At the start of Pandemonium 965 drummers accompanied the non-stop beat on The Underworld soundtrack. Sitting in the audience, the drums began behind you as the musicians marched into the stadium. The television soundtrack doesn’t do the noise justice: the beat reverberated around the stadium and right through you; I’ve never experienced anything like it. It was the moment; an amazing moment – the crowd erupted and it was the point when we realised that London could and would deliver. It was the second the crowd knew that it would be an incredible year.

And it was.

My 2012 In Pictures

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Back in 2004 cameras were not at all as commonplace on mobile phones as they are today. Back then, browsing through my phone’s images I realised I had a rather unexpected, somewhat candid, summary of the year in blurred low resolution photographs. I wrote about it, collated 100 of the pictures here and posted the pictures on Flickr. To me, the most interesting thing about that collection is that it’s made up of many of the small moments that I’d otherwise forget. Genuinely, my 2004 was reflected though the everyday. Of course, cameras on phones were of low quality and it’s likely that pictures of the most important events in my life that year were taken on a better camera. Happily, Flickr provides a way to see the year through all the photos I took but there remains something fascinating about the photos I chose to take on a mobile phone camera.

I recall creating a similar collection for 2005 but I can’t find it anywhere. I created a list of 50 images that summed up 2005 and curated another 100 mobile pictures on Flickr in 2006 (and a 36 for 06 collage), a reduced set in 2007 and, randomly, 176 in 2008 when the camera on my Nokia didn’t seem to be that much better than the 2004 Palm.

In 2009 I relied on a computer, dopiaza.org’s set manager and Flickr’s social features to automatically generate the most interesting 36 images for that year - mobile or not – and you can see them on Flickr. It’s a different way to look back on the year and – because it relies on other people’s selection – it’s inherently less personal. Looking back on them now, after 3 years has passed, you’d be forgiven for thinking the only thing to happen to me in 2009 was snow.

I don’t appear to have curated (or automated) collections for 2010 and 2011. I could set the machine to do it today but I think that moment has passed. I guess I was reviewing the year in other ways at that time.

Olympic Rings at Tower Bridge

Now, the cogs in the machine have been doing the same for 2012 and the 36 most interesting of this year’s pictures are collected on Flickr. Pictures surface to other users on Flickr for a wide variety of reasons and these collections change. The most popular of my 2012 photographs, as I post this on New Year’s Eve 2012, is a picture (not snapped on a mobile phone) taken at the end of June of the Olympic rings hoisted high on Tower Bridge. If you’re reading this at a later date that might not be the case.

Stumbling across that collection, as I did earlier, made me wonder what I would choose for 2012. This has been a memorable year and I wondered how my chosen pictures would differ form the machine’s collection. At first I considered using Instagram as a way to view the year yet, despite the recently-added ability to view the pictures on the web, there didn’t seem a way to collect a group for the year.

So, I went back to my phone and decided to quickly collate a set; for speed I opted for a simple rule: one photograph from each month that appeared in my phone’s Photo Stream from the year. So, I have “2012 Year In Review: The 12 of 2012“. As you would imagine, both sets feature the London 2012 Olympics often, and there are a couple of over-lapping pictures, but they are subtlety different. I imagine to an outside observer they may be remarkably similar but I can tell the different at a glance.

Both Twitter and Facebook have provided me with an alternative way to review my 2012 via my Year On Twitter and my 20 biggest moments according to Facebook but, somehow, the 12 photographs below work better (also on Flickr). Of course, the full London 2012 Olympics set on Flickr brings back a lot of memories but these 12 put the year into a little more context.

Lunch at Duck & Waffle

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I have had the pleasure of eating at too many amazing places to remember. But, of the ones I do remember, it’s often a combination of fantastic food and an amazing dining experience that add-up to make it unforgettable: fresh Lobster on Hellshire Beach, Jamaica; dinner at Toronto’s CN Tower or Lightship Ten that used to be in St Katherine’s Dock; Steak at Palm West in New York; pallela in that bar in El Cotillo, Fuerteventura; or, of course, the half-day eating experience that is The Fat Duck.

Now, today’s lunch venue needs to be added to those experiences. Recently opened on the 40th floor of Heron Tower in the City, Duck & Waffle has fantastic views across East London looking out towards The Olympic Stadium and Canary Wharf and is close enough to give you the impression you are looking down onto The Swiss Re building (the Gherkin). It’s a stunning setting for lunch and, this afternoon, was not too busy so we got a prime table – looking right out East.  There aren’t really that many skyscrapers in London and even fewer restaurants with that kind of view: the only taller buildings are Canary Wharf and the Shard (and that’s not open yet).

Of course it’s not just the experience, the food has to be excellent too: and it was. The bbq-spiced crispy pig ears might not sound to your taste but were crispy, meaty and – for somebody who never adds salt to food – nicely salted. If you don’t like tomato, a plate of English-grown heritage tomatoes will make you rethink with a broad range of tastes, colours and flavours while scallop on apple with black truffle and lime was one of the most refreshing tastes I’ve ever eaten. The signature duck & waffle dish is a beautiful mixture of crispy duck and soft waffle.

It must have been good, I don’t think I’ve ever written about a restaurant here before. If you’re in London go before it becomes popular (in a couple of weeks they are about to open 24-hours) and, even if you’re not in the mood for food, try the house Manhattan, the bottled cinnamon smoke that’s a vital constituent is incredible, and you’ll need it: a stiff drink is required after the 30 second glass elevator ride up the outside of the tower.

I took a few pictures of the view (and the food) and they’re all over on Flickr (with a few on Facebook too).

 

It’s My Radio Station

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I’ve been meaning to write something for quite a while about radio services in an age of connected devices and multiple music services. But news of Apple being awarded a patent to enable “seamlessly switching media playback between a media broadcast, such as a radio broadcast, and media from a local media library” and the subsequent Media UK discussion finally got me to start writing.

I’ve been a radio fan for most of my life but lately my love affair with the medium has turned into a marriage where we don’t speak much anymore. So much radio seems to be back-to-back music (which my phone does better, thank you) or back-to-back Big Brother chat (or back-to-back songs with Big Brother chat breaking them up) that I normally work with iTunes running. I listen at breakfast for an hour or so and that’s about it. Perhaps that’s fine with the industry, I would hope not.

I read, occasionally, an argument from radio people that the only way to compete with music services – such as Spotify or Pandora, or personal libraries like iTunes – is with the bits between the songs (the entertainment that I don’t store on my iPod). That seems a reasonable position. So, I’ve been wondering what would happen if there was a ‘mashup’ between radio (for the entertainment bits) and my music player (for the songs I really like)? The technology can support it, Apple’s patent just reminded me about it.

Simply put, my radio station would allow me to set preferences allowing me to opt-in to news (say, every hour); to add local travel news every 20 minutes (between 0700 & 0900 if there was something to report); to add sport (every 2 hours except during the Olympics when I’d change it to more often) and to add celebrity news (once per month). The rest of the time music is coming from my local music library of tunes I want (sometimes I select individual tracks or albums; sometimes I pop it onto random). The content is downloaded in the background and inserted between the songs I’m hearing. Of course I could opt-in to a bunch of other things if I wanted to (one new music track every 90 minutes; breaking F1-news as it happens; interviews with artists in my library or a ten-minute blast of a phone-in). All of these things could be surrounded by an ad break or sponsors (as they are today) but the station pays no music royalties, bandwidth costs are limited to only updating content and if the connection is down the music keeps coming.

Take it a stage further and my news comes from LBC; travel news direct from Transport for London, sport from Sky and, perhaps, a film review from 5Live. If the content is what I want, I’d choose it and hear supporting commercials (or promos, if it’s the BBC). I don’t need a presenter telling me what I just heard, my phone shows that to me quite happily so the entertainment is more than being successfully able to ‘hit the vocals’ with station name-check.

I don’t see that it would be hard for Spotify or Pandora to add these services in now (perhaps they already are and I’ve missed them) but experience with this kind of content is certainly at radio stations today (and, if we’re honest, RDS has been allowing it for years if you’re in a car and listening to your own music).

Of course, radio’s real advantage is that there’s no effort involved to turn it on and start lsitening; this would be an effort to set-up and configure. If I wanted live presentation then I’d still switch to radio services but, this way, I get news & entertainment on a schedule I want and it really would be a station playing today’s best music mix (just for me).

 

 

 

Elsewhere: New Apple Patent Could Kill Commercial Radio

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Over at Media UK’s radio discussions section there’s a thread about a new patent issued to Apple that allows for “seamlessly switching media playback between a media broadcast, such as a radio broadcast, and media from a local media library”. It reminds me that I have some thoughts brewing on this (update: my thoughts are now written-up here) but this is what I added to the thread (with the typo seen at Media UK cleaned up).

An obvious use of this tech would not just be for targeted ad insertion but also for some kind of content switching when a user’s streaming connectivity drops. Using Apple’s Genius functionality & a station’s playlist, an app could store a list of station-appropriate tracks that are already on my device and seamlessly switch to them. Let the station cache a few idents in the app and I may never notice I’d lost connectivity driving through the tunnel again.

Take it a stage further; could a station save on music royalties (and the listener on bandwidth costs) if it only provided the links and all music tracks were sourced from the user’s local music library (of tracks they own)?

The future of radio is at an interesting point. Even as a self-confessed radio geek I am finding that I spend more time listening to music and entertainment services that could not traditionally be called radio. More to come on this.

 

Shropshire Radio: A Blueprint For The 21st Century?

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When I lived in Shrewsbury in the mid/late eighties there wasn’t much choice on the radio dial. Every station was aimed at a neighbouring region (Marcher, Beacon, Wyvern and Signal surrounded us). But nothing for the good people of Shropshire.

1985 saw the arrival of the BBC local station which was followed in 1987 by a extension to the commercial franchise for Wolverhampton to include Shrewsbury & Telford. Initially launched as a local breakfast show only, with split news and commercials for the rest of the day, Beacon Shropshire added (and removed) programmes aimed at the county as finances allowed. Later owners provided local programming for up to 12 hours a day. I suspect that was the closest Shropshire got to its own successful local commercial radio station.

Regional stations covering the West Midlands more-or-less reached Shropshire (Heart being the first in 1994) and I’ll never forget listening to Jazz FM North West in Shrewsbury when it launched. The first truly local commercial radio station – The Severn – began broadcasting to & from Shrewsbury in 2006. While I no longer lived in the town by then I did occasionally hear the output and followed its fortunes as it merged more and more programming with nearby stations in the group of which it was part. It was closed towards the end of last year but purchased by UTV Radio ahead of a relaunch as Signal 107 today.

This isn’t meant to be a potted history of local radio in the county but a reflection on how (radio) times have changed in more than twenty years. Back in the mid-Eighties I recall the sentiment of many that Shropshire deserved it’s own, full-time, commercial station. Shrewsbury had (has?) little in common with Wolverhampton and – in spite of all the jingles that told us Beacon could be contacted via “The Music Hall, Shrewsbury” we all knew better (sadly that address jingle is not in the this montage).

But media markets change and radio stations in smaller markets are not just competing against other radio stations locally. They’re up against strong, powerful, local, national & regional radio brands that leverage television and digital properties (you know, Twitter, Facebook and the rest) to both communicate and stand out in a crowded market. They’re up against those digital properties in their own right, against other pure music services online and against hundreds of television/video services (both live and on-demand) and the might of the Amazons, Googles and Apples who now want to entertain us too.

To succeeded, even a local station, needs to be recognisable and use all the promotional tools in the box. An extendable, recognisable “brand” is not optional for a radio business in 2012: it’s a requirement. There’s whole post on how any presenter will struggle to promote multiple brands through their Twitter & Facebook presences; never mind how they do it on-air (and singing place names because your jocks can’t say them – as heard in this montage – has no place in 21st century presentation). But brands need consistency, so a station needs to be recognisable 24 hours a day.

For these reasons and more I think what’s happened today in Shropshire radio is a good thing. First, at lunchtime UTV branded their recent acquisitions Signal 107. It’s a brand that includes a much wider geographic area than Shropshire, incorporating a heritage station from nearby Stoke-on-Trent, but means there will be some semi-local content and the power of bigger name behind it. The larger brand is great for promotion & advertising and the bigger owner means round-the-clock presenters. One of the problems The Severn had was that it degenerated to a jukebox service at times. I understand the economics of this – and it is no criticism of the previous owners – but a modern media brand needs consistency. I believe radio can only compete by being more than just music so it needs 24-hour presenters. That can only come from bigger groups with the budget and is, surely, easier when the jock needs to promote and push just one station identity (yes, I know UTV still has multiple brands but I’m talking about Shropshire here).

The same argument for consistency and promotion also applies to today’s second Shropshire rebrand when, at 7pm, Beacon (along with Wyvern, Mercia and the mighty BRMB) was christened Free Radio. I’m a Twitter follower of some of the station’s presenters. It’s been amusing watching them try to use social media to promote their multiple brands; they did it very well, I have to say. But it must have been hard to exploit those channels fully. Tonight, that just became easier. And if it’s easier on Twitter it’ll be so much easier in other places.

It’s also important for larger radio stations to compete against the big boys. A single brand allows exploitation through television and other advertising outlets on a wider scale. None of us restrict ourselves to a small geographical area. We move around, in real life and digitally, we’ll see advertising elsewhere. With one move, the Free Radio brand can be seen in more places to more people. This has to be a good thing for them.

And now, both of these brands, can move forward with new opportunities. Digital radio provides nice, if obvious, brand extension opportunities. But there are other ways to build a brand and I’m excited to see how they do it. Shropshire radio just moved into the 21st Century.

You know I think radio, even with all the alternatives available, is a very important medium. I want it to be a vibrant & successful medium in the modern media mix. It has to move forward and I’m fascinated to watch the changes.

And, maybe, this time Shropshire is at the heart (no pun intended) of the changes to the way radio stations build their brands. As I said elsewhere today, this is surely the blueprint for stations around the country.

 

Report Card 2011

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For a couple of years I have written my predictions for the twelve months ahead in digital advertising. Everybody’s at it and, of course, nobody takes it too seriously. “I’ll predict they’re all wrong”, one of my colleagues amsuingly suggested last week but, of course, it’s him that’s wrong. Almost nobody fails with these “predictions” because – like the best clairvoyant – we can’t predict the big stuff & we’re all looking for the trends which will get a little bigger or smaller. So, even with our ears to the ground, we’re vauge and can hang our hat on almost anything to prove we were right. Let’s face it, if anybody could have predicted the rise of Facebook or – insert any shining tech starlet here – we wouldn’t be making lousy predictions on the web, would we?

While I readily admit to following the pack and, probably, highlighting the trends everybody else is seeing, I do always start by reviewing last year’s “predictions” so see how far off reality my senses were. So, albeit a few weeks into the new year, I’m starting with a review of my 2011 predictions.

I began with “increased data usage in advertising targeting”. Of course this is probably impossible to prove either way. Publishers are certainly more confident in their data conversations but who knows if it’s really being used? Given Amazon registered a patent suggesting an ability to understand more about you based on your choice of wrapping paper I think we can safely say we have not come to the end of this trend. As for anybody falling foul of the data comissioners, well Facebook seemed to do the opposite and get a good grade from Europe. Not a bad result on that one but nothing amazingly forseen.

Last year I called my second prediction “The Cloak Of Transparency” and I think this is one that didn’t (but should have) come true. Being more accessible with explanations of data usage can only be a good thing. I am, however, releived that we are not bombarded with opt-in/out boxes at every online interaction. My prediction about this was off but somebody will meet the need soon, I’m certain. My favourite article on the subject in 2011 was by Kevin Curtin who encouraged somebody (maybe, everbybody) to sell his data. As for my point about data validation services, did I miss any?

Did digital advertising grow in 2011? I think we really need to wait a while to get the numbers in, don’t you? But if Hearst Digital can report that their “U.S. digital media businesses were solidly profitable for the first time” [source] I think I am onto a winner with that one. Since 2000 digital advertising has “has leapfrogged every traditional advertising vehicle except television” suggested The Chicago Tribune, which must be a good sign. Back in October, the IAB reported UK internet advertising expenditure growing 13.5% to £2.256 billion in the first half of 2011. The cards are looking good for that one. And take a look at some of the excellent creative you may have missed in 2011. That one came true and, in an uncertain economy, I’ll happily take credit for being right on that.

Also back in October, an Econsultancy/Rubicon Project report suggested 44% of publishers were then selling their online display inventory via real-time bidding (handy if you’re in RTB, huh?). I’m using RTB as a proxy for the traded environment here, as I can’t find any stats talking more generally about trading. Without a doubt, there were even more ways to sell inventory on offer to publishers last year and, therefore, businesses need to understand the trading environment better. With 30 billion UK RTB-traded impressions seen during last year’s European RTB Insight Report, somebody ought to be making sure the money’s right. Of course, publisher’s might want to put analysts on managing their direct sold campaigns, which was a suggestion repeated a number of times in 2011.

But where was the exodus from the City to digital that I suggested might happen? Perhaps that prediction failed because the City bonus culture didn’t.

My final prediction last year was about advertising and social media. How could I fail with this one? Twitter claims 60 billion tweets in 2011 and the most re-tweeted was from a commercial organisation: the Wendy’s hambuger brand. There’s a long way to go here but Twitter did introduce an advertising play in 2011 and it will only grow in 2012. Groupon, the couponing site that IPO’d (can I say it like that?) last year, earned an average return of 6,352% for private investors and generated top line growth of 700% in the nine months ending Sept 30 2011 (year over year) [source]: impressive sounding numbers, if nothing else. So, I think my suggestions that coupon sites would still be strong came true. While new Daily Deal sites came – and some disappeared – in 2011, there is more to come from this sector I’d wager. Last year I didn’t say much about video; I think it’s a given that it’s now part of the online/digital mix. But online video continues to grow as a viable advertising medium, and not just with long form content. This year charlieissocoollike became the first UK channel to reach one million subscribers which suggests a continually growing audience for well-produced, non-broadcast video content. YouTube counts as social media, right? Oh good. Tick, then.

Of course you can never go wrong saying that there will be a “raft of technology announcements” in the coming year, I don’t think that was wrong. I may even use that again for my 2012 predictions which will be with you soon enough.

So, there we go. I think I idnetified the trends well enough and, while these predictions aren’t going to make anybody rich, they weren’t awful.

Let’s see what the crystal ball thinks we’ll do in 2012.

Curns’ Ad Links for 11 February 2011

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Curns’ Ad Links for 10 February 20122

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Elsewhere: Watching The Decline of New Labour

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Decline & Fall: Diaries 2005–2010Decline & Fall: Diaries 2005–2010 by Chris Mullin

My rating: 5 of 5 stars

The second volume of Chris Mullin’s diaries that I have read and, as an inside account of the British Parliament at the end of the first decade of the 21st century, it’s both reassuring to see that many representatives in The House are not in it purely for self gain, having loftier aims that benefit us all, and disappointing to discover that Honourable Members, just like the any group anywhere, can be back-stabbing and self-serving. Mullin clearly falls into the former but his ringside seat for the end of the Blair era, the expenses debacle, the arrival of Gordon Brown and the self-destruction of New Labour is fascinating. I don’t know if the diaries are well edited, or well written in the first place, but you are drawn in by the stories the diaries reveal and gripped as the details of parliamentary life are unveiled. His belief in a parliamentary democracy and MPs who work on behalf of their constituents is clear and often put him at odds with senior party colleagues. The fact that he does not follow the party line all the time is what makes his account all the more memorable. The book’s easy to follow as Mullin does not fall into the trap of reducing most people to nicknames or initials and, therefore, can be read without constant reference to a ‘cast of characters’. This volume ends as Gordon Brown leaves number 10 and Mullin retires from The House (he did not contest the 2010 election) but before that point some of the most interesting events of recent times are recorded with a charm and wit that’s compelling.

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