So yesterday’s on this day link took me off on a memorable journey to the Forgotten Project of the ultimate boyband CD – which, as a side diversion, for the stress of my working life at the moment I have decided to invest some time in.
For those of you late to the party here was the aim two years ago: construct a CDs worth of music from boybands of any decade that will go attempt to show that there is some logevity in the product. If you will, it’s an attempt to show that it is possible to have classic tunes that come from the manufactured world of boyband pop. This is what we had last time:
N’Sync – Pop
Take That – Relight My Fire
Take That – Could It Be Magic
F5ive – If Ya Gettin’ Down
Backstreet Boys – Everybody (Backstreet’s Back)
A1 – Same Old Brand New You
A1 – Caught In The Middle
Blue – All Rise
And you are – most definitely – not allowed to call me shallow!
That statement does not make me a huge Madonna fan – although I am partial to many of her hits and, unlike some of my friends, I think American Life is a great album (then again I also like some of Blue’s material so who am I to judge musical tastes?) and she is most certainly a performer.
So, when commenting on a Madonna concert what should you say? Earls Court is a huge venue. For those of you who haven’t been you should be aware that it’s very stadium-like. We sat in the back left corner so it was like she was at the opposite goal post. And it’s in that context that you will understand why I didn’t think it was that good.
Madonna can put on a show. She is the undisputed queen of showmanship. And therein lies the problem. She performs a West End show of the variety that you need to be able to see. And she performs them at West End prices but to stadium-sized audiences. The audio is show-like and you doubt that she’s singing live the whole time – although I suspect a lot of it is live. It’s just very well produced and sounds like her CDs and, for me, that isn’t the point of going to see live music: somehow you need to believe that they are performing live. Add to that the fact that you can’t see the spectacular and you have a fun but, ultimately, a disappointing evening.
Humidity is rising – Barometer’s getting low, According to all sources, the street’s the place to go.
I have been recovering from my trip to the USA by spending a great deal of today asleep and generally caching up on the mail, the christmas cards, the washing and all the other things you need to do when you’ve been away for a week. It’s almost Saturday night and I am going supermarket shopping (you see, dear reader, I have a very exciting life).
While I managed to listen to the radio and some CDs I did, eventually, resort to music television so that there were some pictures to provide an alternative visual while I drank my tea (real tea, not a USA-style tea, is one of the greater comforters in my life).
The Hits is showing some so-called classics this afternoon. The video for It’s Raining Men (The Weather Girls) looked so dated that it made me wonder what those brought-up entirely on the sophistication of the modern day music video would make of these dated images.
Interestingly, it occurred to me to that it’s the video that looks a lot older than the music sounds. Allowing for the fact that It’s Raining Men is part of the soundtrack to my youth, I still think it’s the video technology that has made the noticeable leaps in the last 20 years.
And it’s 20 years next March since It’s Raining Men was a hit for The Weather Girls. Originally charting in the UK in August 1983 it eventually made number 2 in March 1984. It’s one of those songs that I would have sworn topped the charts but, apparently, not. I would imagine that a combination of Nena’s ‘99 Red Ballons‘, Lionel Richie’s ‘Hello‘ and Duran Duran’s ‘The Reflex‘ kept it from the number 1 slot.